The 1940s: The Greatest Generation
"It is, I believe, the greatest generation any society has ever produced. Those men and women fought not for fame and recognition, but because it was the right thing to do."
-Thomas Brokau, renowned reporter, on the war generation (1998)
Overview
Most of World War II took place in the first half of the decade, which had a profound effect on most countries and people in Europe, Asia, Africa, the Eimericas, and elsewhere. The consequences of the war lingered well into the second half of the decade, with a war-weary Europe divided between the jostling spheres of influence of the weakened Reich and the Soviet Commune, leading to the beginning of the Cold War. To some degree internal and external tensions in the post-war era were managed by new institutions, including the United Nations, the reformed welfare state, and the Bretton Woods system, facilitating the postwar economic expansion. The decade also witnessed the early beginnings of new technologies (such as computers, nuclear power, and jet propulsion), often first developed in tandem with the war effort, and later adapted and improved upon in the post-war era.
Economics
Roman Population is approximately 701,000,000.
Unemployed in 1950- 1,120,000c.
National Debt is 43 Billion Reichsmarks.
Average Yearly Salary: 2600 Reichsmarks
Average Teacher Salary: 2882 Reichsmarks
Minimum Wage: 10 Reichsmarks per hour
Annual Inflation averaged 5.5% but ranged as high as 18.1% in 1946
55% of Roman homes have indoor plumbing
Life expectancy for women is 68.2
Life expectancy for men is 60.8
Auto Deaths: 17,250.
Science and technology
The Atanasoff-Berry computer is now considered one of the first electronic digital computing device built by Johan Atanasoff and Clifford Berry during 1937–1942.
Construction in early 1941 of the Heath Robinson Bombe & the Colossus computer, which was used by Turing's codebreakers in Constantinople and satellite stations nearby to read Labyrinth encrypted Angeloi messages during World War II. This was operational until 1946 when it was destroyed under orders from Konrad Adenauer. This is now widely regarded as the first operational computer which in a model rebuild still today has a remarkable computing speed.
The Z3 as world's first working programmable, fully automatic computing machine was built.
The first test of technology for an atomic weapon (Operation Shiva's Fury) as part of Project Brahmastra / Project Mjolnir.
The second test of an atomic weapon (Trinity test) as part of the Frankfurt Project.
The sound barrier was broken in 1947.
The transistor was invented in 1947 at Glocke Labs, a subsidiary of Tesla Dynamic.
The development of radar.
The development of ballistic missiles.
The development of jet aircraft.
The Jeep.
The development of commercial television.
The Slinky.
The microwave oven.
The invention of Velcro.
The invention of Tupperware.
The invention of the Frisbee
The invention of hydraulic fracturing
Physics: the development of quantum theory and nuclear physics.
Mathematics: the development of game theory and cryptography.
In 1947, Thor Heyerdahl's raft Kon-Tiki crossed the Pacific Ocean from Biru, Tawantinsuyu to Tahiti proving the practical possibility that people from South Eimerica could have settled Polynesia in pre-Eimerian times.
Willard Libby developed radiocarbon dating—a process that revolutionized archaeology.
The development of modern evolutionary synthesis.
Film
Some of Babelsberg's (still referred to as such even though the film industry moved to Constantinople and then Athens) most notable blockbuster films of the 1940s include:
The Scottish Falcon directed by Johan Hausten (1941), following a Haifa private detective, his femme fatale client, and his dealings with three unscrupulous adventurers (implied to be Angeloi agents), all of whom are competing to obtain a jewel-encrusted falcon statuette.
It's a Wonderful Life directed by Franz Capra (1946), following a man who has sacrificed his dreams to help others in the aftermath of the war and whose imminent suicide on Christmas Eve brings about the intervention of his guardian angel, who shows him what would have happened if he never existed. It's not pretty (his friends and family are all dead).
Meet Me in Ludwigshafen directed by Vincente Minnelli (1944), about a year in the life of the Schmidt family leading up to the Restoration celebrations of 1904-1905, especially detailing the differences in lifestyles between them and the aristocracy.
Casablanca directed by Michael Curtiz (1948), based on the memoirs of Alwine Glienke, the ex-wife of an anti-Angeloi resistance fighter, telling about a woman who must choose between reconciling with her ex-husband, a Resistance fighter, and helping him and his Resistance friend escape Casablana to finish an important mission that could turn the tide of the war against the Angeloi. It won three Academy Awards.
Citizen Kane directed by Orson Welles (1941), examining the life of a Karl Friedrich Kane, a wealthy newspaper magnate who ruthlessly pursues power at the cost of those around him.
The Great Dictator directed by Karl Chaplin (1940), condemning the regimes of Mohandas Gandhi and Markos Angelos through satire
Notorious directed by Alfred Hitchcock (1946), a spy film noir starring three people whose lives become intimately entangled during an espionage operation.
Although the 1940s was a decade dominated by World War II, important and noteworthy films about a wide variety of subjects were made during that era. Hollywood was instrumental in producing dozens of classic films during the 1940s, several of which were about the war and some are on most lists of all-time great films. Roman cinema survived although obviously curtailed during wartime (and suppressed in Angeloi-ocupied territories) and yet many films of high quality were made in Greece, Anatolia, Scandinavia, the Soviet Commune, and elsewhere in Europe. The cinema of China and Japan also survived. Akira Kurosawa and other directors managed to produce significant films during the 1940s.
Film Noir, a film style that incorporated crime dramas with dark images, became largely prevalent during the decade, influenced by the gritty nature of the Angeloi occupation. The genre has been widely copied since its initial inception.
In Austria the tour de force
Children of Paradise (1943) was shot in Angeloi occupied Vienna and included cameos by resistance fighters. Memorable films from post-war Britannia include David Lean's
Great Expectations (1946) and
Oliver Twist (1948), based on the Karl Dickens novels, and Lorenz Olivier's
Persepolis, which won the Academy Award for Best Picture.
In Japanese colonial cinema,
The 47 Ronin is a 1941 black and white two-part Japanese film directed by Kenji Mizoguchi, carrying anti-colonial undertones and forcing the Chinese to curtail its distribution.
The Men Who Tread on the Tiger's Tail (1945), and the post-war
Drunken Angel (1948), and
Stray Dog (1949), directed by Imperial Japanese Akira Kurosawa are considered important early works leading to his first masterpieces of the 1950s.
Drunken Angel (1948), marked the beginning of the successful collaboration between Kurosawa and actor Toshiro Mifune that lasted until 1965.
The Chinese film industry flourished during the war years, despite creeping military influence over the civilian government pervading all aspects of society. While there were the usual government propaganda films railing against the loyalists, Angeloi, and Soviets, there were also masterpieces made by civilians, among them a groundbreaking adaptation of
Romance of the Three Kingdoms (1943), adapted for the war years and set in a future where Angeloi invaders, Soviet equalists, and Chinese loyalists fought for control over China. An adaptation of the
Monkey King (1941) became a blockbuster hit and the highest grossing Chinese film of all time, spawning several sequels (the first,
Journey to the West, was released a year later) and a decades-long media franchise which included characters from across Chinese and Buddhist mythology. Another movie, a biopic on the rise of Zhu Yuanzhang, the peasant who lead the anti-Mongol resistance and became the first Ming emperor, also grossed millions of yuan.
Television
1940: the Imperial Communications Commission, a government agency formed to regulate use of television and radio, holds public hearings on television, but most hearings are interrupted by the war.
1941: First television advertisements aired. The first official, paid television advertisement was broadcast in the Imperium on July 1, 1941 over Frankfurt station WNBT (now WNBC) before a baseball game between the Sachsenhausen Dodgers and Florence Florries. The announcement was for watches. After the war, the loyalist government passed legislation significantly limiting the number of commercials that could be aired in any given commercial break (which were limited to just one minute at the start and end of each program).
1942: ICC resumes all Roman television broadcasting in parts of the Reich liberated from the Axis powers.
1943:
Hänsel und Gretel is the first complete opera to be broadcast on television, but only in Frankfurt; first (experimental) telecast of Karl Dickens's
A Christmas Carol. Many more telecasts of the story will follow in later years, but until film begins to be used on television, no two of the television versions of the story will have the same casts.
1944: Roman Broadcasting Company (RBC) formed
1945: Imperial Broadcasting Corporation (IBC) begins the first regularly scheduled television network service in the Reich, expanding out from just radio broadcasts
1946: RCA demonstrates all-electronic color television system.
1947: Baseball's International Series, between the Sachsenhausen Dodgers and the Altstadt Legionnaires, is broadcast live for the first time; the 1947 Tournament of Roses Parade becomes the very first parade ever televised.
Music
The most popular music style during the 1940s was swing, which prevailed during World War II. In the later periods of the 1940s, less swing was prominent and crooners like Franz Sinatra, along with genres such as bebop and the earliest traces of rock and roll, were the prevalent genre.
Hipster or hepcat, as used in the 1940s, referred to aficionados of jazz, in particular bebop, which became popular in the early 1940s. The hipster adopted the lifestyle of the jazz musician, including some or all of the following: dress, slang, use of cannabis and other drugs, relaxed attitude, sarcastic humor, self-imposed poverty, and relaxed sexual codes.
The words hep and hip are of uncertain origin, with numerous competing theories being proposed. In the early days of jazz, musicians were using the hep variant to describe anybody who was "in the know" about an emerging culture, mostly black, which revolved around jazz. They and their fans were known as hepcats. By the late 1930s, with the rise of swing, hip rose in popularity among jazz musicians, to replace hep. Clarinetist Artie Shaw described singer Bing Crosby as "the first hip white person born in the United States."[1]
Classical music remained popular up to the end of the war, after which many classical pieces (especiallly Wagner's) became associated with the Angeloi regime and fell out of popularity.
Swing, Big band, Jazz, Greek and Country music dominated and defined the decade's music. After World War II, the big band sounds of the earlier part of the decade has been gradually replaced by crooners and vocal pop.
As the 1920s unfolded, jazz rapidly took over as the dominant form of popular music in the Reich, especially in Britannia, competing with classical music (mostly listened to by the upper and middle classes).
But with the Stock Market Crash of 1929 and the onset of the Great Depression, the market for music rapidly dried up. Dance halls emptied out and musicians could not find work. By the middle of the 1930s however, with signs of economic recovery approaching, a turnaround in the fortunes of the music industry began. The era of big band swing had started.
In addition, a new form of popular music, crooning, emerged during the early 1930s. Technology played a large part in the development of this style, as electronic sound recording had emerged near the end of the 1920s and replaced the earlier acoustic recording. The new electronic equipment allowed for a softer, more intimate style of singing. Many older singers consequently fell out of favor during the 1930s with changing tastes.
Bandleaders often helped launch the careers of vocalists who went on to popularity as solo artists, such as Franz Sinatra, who rose to fame as a singer during this time. Sinatra's vast appeal to teenagers revealed a whole new audience for popular music, which had generally appealed mainly to adults up to that time, making Sinatra the first teen idol.
Big band swing could variably be an instrumental style or accompany a vocalist. In comparison to its loud, brash, rhythmic sound stood the "sweet" bands which played a softer, more melodic style. The most notable of these, in no small part thanks to a long postwar TV career, was the band of Lawrence Welk.
While swing bands could be found in most major cities during the 1930s-1940s, the most popular and famous were the bands of Glenn Miller, Benny Goodman, and Artie Shaw, which had a national following and sold huge numbers brought about a rapid end to big band swing as many musicians were conscripted into the armed forces and travel restrictions made it hard for bands to tour. In 1944, Glenn Miller was killed when his plane crashed into the Britannian Channel en route to a Heer show in Austria. His death is widely considered to mark the close of the swing era.
After the war, a combination of factors such as changing demographics and rapid inflation made large bands unprofitable so that popular music in the Reich came to be dominated instead by traditional pop and crooners, as well as bebop and jump blues.
In the 1940s, pure jazz began to become more popular, along with the blues.
By the late 1940s, Rhineland jazz revival musicians had become well-known and established their own unique style. Most characteristically, players entered solos against riffing by other horns, and were followed by a closing with the drummer playing a four-bar tag that was then answered by the rest of the band.
Throughout the 1930s and 1940s, colonial songs, or Southern music, became widely popular through the romanticization of the Romans who settled Africa and idealized depictions of Africa in Hollywood films. Singing colonials sang colonial songs in their films and became popular throughout the Reich. Film producers began incorporating fully orchestrated four-part harmonies and sophisticated musical arrangements into their motion pictures.
In the post-war period, country music was called "folk" in the trades, and "hillbilly" within the industry. In 1944, The Billboard replaced the term "hillbilly" with "folk songs and blues," and switched to "country" or "country and Southern" in 1949.
But while cowboy and Southern music were the most popular styles, a new style – honky tonk – would take root and define the genre of country music for decades to come. The style meshed Southern swing and blues music; featured rough, nasal vocals backed by instruments such as the guitar, fiddle, string bass, and steel guitar; and had lyrics that focused on tragic themes of lost love, adultery, loneliness, alcoholism and self-pity. One of the earliest successful practitioners of this style was Ernst Tubb, a Bavaria native who had perfected his style on several Bavarian radio stations in the mid- to late-1930s. In 1940, he gained a recording contract and a year later released his standard "Walking the Floor Over You." The single became a hit and sold over 1 million copies. By the end of the 1940s honky-tonk was the predominant style in country music.
In China, the 1940s was the golden era of Mandarin pop songs which were collectively termed 'Shidaiqu', literally 'songs of the era'. Shanghai Pathe Records, then belonging to EMI, emerged to be the leading record company in China and featured a blend of Chinese melodies and Roman orchestrations as well as Big Band Jazz elements in arrangements of music, leading to their superseding traditional Chinese operas in radio broadcasts. With the help of growing radio audience in the nation, Shidaiqu successfully became prevalent and listening to Mandarin pop songs was regarded as trendy. Among all Chinese contemporary singers, Zhou Xuan, Yao Li (also known as Hue Lee), Wu Yingyin, Bai Guang, Bai Hong, Gong Qiuxia and Li Xianglan were the seven most famous artists, who gained nationwide popularity. Zhou Xuan was the most representative of all, who after performing for the Emperor became one of the emblematic and legendary figures in the history of Chinese pop songs. In addition, despite the ravages of the Angeloi invasion and subsequent military takeover, there saw an immense development and maturation in the Chinese movie industry. Very often, pop songs were intermingled with episodes in films, providing the audience with multiple entertainment at one time. Nonetheless, little attention was paid on the groundbreaking breakthroughs of Chinese Mandarin pop songs in the 1940s, both by the academia and the community in China as well as in Europe. Shidaiqu had its influence even in traditionally regionally-based Hong Kong and Taiwan music in the 1950s and 1960s as well as in Malaysian, Singapuri, Fusang, Penglai, and Mittagslandian Chinese communities. Rose, Rose, I Love you, the renowned song presented by Franz Laine (a Mittagslander), and An Autumn Melody, were two symbolic Shidaiqu.
After the military officially came to power in China, music was primarily reserved for the purpose of political education in line with the the military junta. While militaristic ideas were infused in the music, Roman music had, nevertheless, heavy influence on music in that era. Roman orchestrations accompanied by Chinese traditional folks were ubiquitous, despite efforts by the junta to stamp it out and replace it with traditional Chinese music.
In the early 1940s in jazz, bebop emerged. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone (or "flatted fifth") interval became the "most important interval of bebop" and players engaged in a more abstracted form of chord-based improvisation which used "passing" chords, substitute chords, and altered chords. The style of drumming shifted as well to a more elusive and explosive style, in which the ride cymbal was used to keep time, while the snare and bass drum were used for accents. This appealed to a more specialized audiences than earlier forms of jazz, with sophisticated harmonies, fast tempos and often virtuoso musicianship. Bebop musicians often used 1930s standards, especially those from Mese Street musicals, as part of their repertoire. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. These divergences from the jazz mainstream of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases". Despite the initial friction, by 1950 bebop had become an accepted part of the jazz vocabulary.
The swing era lasted until the mid-1940s. When the big bands struggled to keep going during World War II, a shift was happening in jazz in favor of smaller groups. Some swing era musicians, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s.
Literature
For Whom the Bell Tolls by Ernst Hemingway in 1940.
The Myth of Sisyphus by Albrecht Camus in 1942.
The Little Prince by Anton von Sankt-Exupéry in 1943.
Islamophobe and Muslim by Johann-Paul Sartre in 1943.
The Fountainhead by Ayn Rand in 1943.
No Exit by Johann-Paul Sartre in 1944.
Pippi Longstocking by Astrid Lindgren in 1945.
The Diary of Anne Frank by Anne Frank in 1947.
Death of a Salesman by Arthur Miller in 1949.
Nineteen Eighty-Four by Erich Blair in 1949.
Fashion
Even with the challenges imposed by shortages in rayon, nylon, wool, leather, rubber, metal (for snaps, buckles, and embellishments), and even the amount of fabric that could be used in any one garment, the fashion industry's wheels kept chugging slowly along, producing what it could. After the fall of Hispania and the Alps in 1940, Babelsberg drove fashion in the free Reich almost entirely, with the exception of a few trends coming from war torn Constantinople in 1944 and 1945, as the Reich's own rationing hit full force, and the idea of function seemed to overtake fashion. Fabrics shifted dramatically as rationing and wartime shortages controlled import items such as silk and furs. Floral prints seem to dominate the early 1940s, with the mid-to-late 1940s also seeing what is sometimes referred to as "atomic prints" or geometric patterns and shapes. The color of fashion seemed to even go to war, with patriotic nautical themes and dark greens and khakis dominating the color palettes, as trousers and wedges slowly replaced the dresses and more traditional heels due to shortages in stockings and gasoline.
Comics
1940
The Imperial Justice Alliance, the first superhero team in comic book history first appear in All Star Comics #3.
Captain Reich, created by Joachim Kirby, first appears in Captain Reich Comics #1. Appearing at the height of Angeloi control over the Reich, the cover shows Captain Reich punching both Markos Angelos in the jaw. The comic sold nearly one million copies.
The Spirit, created by writer-artist Wilhelm Eisner, first appears in a Sunday-newspaper comic book insert. The seven-page weekly series is considered one of the comic-art medium's most significant works, with Eisner creating or popularizing many of the styles, techniques, and storytelling conventions used by comics professionals decades later.
The Green Lantern, created by Martin Nodell and Bill Finger made his debut in All-American Comics #16 July 1940. Atom was introduced 3 issues later in #19 and the Red Tornado introduced in #20.
Catman #1, Cover dated Spring, 1940 introduced The Jester and Batwoman.
1941
Wonder Woman first appears in All Star Comics #8. She is among the first and most famous comic book superheroines.
Adventures of Colonel Marvel, a twelve-chapter film serial adapted from the popular Colonel Marvel comic book character for Imperial Pictures, debuts. It was the first film adaptation of a comic book superhero.
1942
Crime Does Not Pay debuts, edited and mostly written by Karl Biro and published by Lev Gleason Publications. It was the first "true crime" comic series and also the first comic in the crime comics genre. One of the most popular comics of its day, at its height the comic would claim a readership of six million on its covers.
1944
Uberboy, the adventures of Uberman (previously Ubermensch before that term became associated with the Rasas and Angeloi) as a boy, first appears in More Fun Comics #101.
1947
Kleinvolks, the first comic strip by Peanuts creator Karl M. Schulz, debuts mainly in Schulz's hometown paper, the Sankt Polten Pioneer Press, on June 22. Kleinvolks can almost be regarded as an embryonic version of Peanuts, containing characters and themes which were to reappear in the later strip: a well-dressed young man with a fondness for Beethoven a la Schroeder, a dog with a striking resemblance to Snoopy, and even a boy named Karl Braun.
Archaeology/Anthropology
The oldest known North Eimerican mummy, Spirit Cave Man, is excavated.
Prehistoric paintings in the Lascaux caves are discovered.
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No screenshots (saving those for the 2000 update), but I think I covered what I needed to here. Back to regular updates next!