Author 1, Mantua - a good writer doing solid work. This one sets out all the relevant details and drives right ahead to the climax, no plot twists or miraculous deliverance allowed. I suppose Carmagnola's choice of suicide over capture could be called a plot twist, but I see it as in character.
Emotionally, the piece moves in a steady upward slope of increasing tension, right up to the final 'stroke' that resolves the conflict (in more ways than one). I especially noted the use of strong descriptive words - the gates 'shuddered and cracked', the mob roars with bloodlust. This author has a vocabulary and he's not afraid to use it.
With a short piece, the author must make decisions about where to allocate his words: so much for characterization, so much for plot, scenery, and so forth. This author has chosen to concentrate his time on the action of the scene (rightly, I think), distilling what could easily be a chapter into a single passage. Wise use of limited resources here: the author has slashed out a sketch of Carmagnola with a few broad strokes. We may not know much about him, but we know what we need to know.
If there were any errors in spelling, punctuation or grammar, I did not notice them. Capable, professional work from start to finish.
I'm flattered that Amric attributed it to me, and if I had written it I'd be pleased with it.
Author 2, Steiermark
A tribute to MrT or a red herring?
The setting and characters are clearly modeled after MrT's latest work. But when a peg-legged, eye-patched man comes into a bar, I start looking for parrots and treasure...
The dialect didn't bother me, in fact I thought it added to the story. I do appreciate the author's attempt to get assistance on authenticity. I become irate when someone mangles a Southern US accent, and I appreciate that what some of us think is a 'perfect' Scots accent might be quite imperfect.
A nice tale in the tradition of tales told in a bar. I was just a trifle let down by the ending. Bar stories, as a class, usually depend on clever or dramatic plot twists and this story doesn't have them. A nice, human ending - just not what I expected.
Well-crafted, well-told. A straightforward account with no bells, frills or whistles. The author has been attentive to the detail of one character while leaving the others blank, and the details of the bar are very sparse. The result is to center the spotlight firmly on Old John - an effective technique.
Again, no spelling, punctuation of grammatical lapses that I noticed.
I'll talk about authors 3 & 4 in my next post.
Emotionally, the piece moves in a steady upward slope of increasing tension, right up to the final 'stroke' that resolves the conflict (in more ways than one). I especially noted the use of strong descriptive words - the gates 'shuddered and cracked', the mob roars with bloodlust. This author has a vocabulary and he's not afraid to use it.
With a short piece, the author must make decisions about where to allocate his words: so much for characterization, so much for plot, scenery, and so forth. This author has chosen to concentrate his time on the action of the scene (rightly, I think), distilling what could easily be a chapter into a single passage. Wise use of limited resources here: the author has slashed out a sketch of Carmagnola with a few broad strokes. We may not know much about him, but we know what we need to know.
If there were any errors in spelling, punctuation or grammar, I did not notice them. Capable, professional work from start to finish.
I'm flattered that Amric attributed it to me, and if I had written it I'd be pleased with it.
Author 2, Steiermark
A tribute to MrT or a red herring?
The setting and characters are clearly modeled after MrT's latest work. But when a peg-legged, eye-patched man comes into a bar, I start looking for parrots and treasure...
The dialect didn't bother me, in fact I thought it added to the story. I do appreciate the author's attempt to get assistance on authenticity. I become irate when someone mangles a Southern US accent, and I appreciate that what some of us think is a 'perfect' Scots accent might be quite imperfect.
A nice tale in the tradition of tales told in a bar. I was just a trifle let down by the ending. Bar stories, as a class, usually depend on clever or dramatic plot twists and this story doesn't have them. A nice, human ending - just not what I expected.
Well-crafted, well-told. A straightforward account with no bells, frills or whistles. The author has been attentive to the detail of one character while leaving the others blank, and the details of the bar are very sparse. The result is to center the spotlight firmly on Old John - an effective technique.
Again, no spelling, punctuation of grammatical lapses that I noticed.
I'll talk about authors 3 & 4 in my next post.