Szaman-Cesarz Strasz of the Gryfita Empire - The Kinslayer (1366-1368)
Szaman-Cesarz Strasz of the Gryfita Empire - The Kinslayer (1366-1368)
'Father, on our noble blood, blood which once ruled mere mudhuts and now rules an empire - I issue this challenge!' - The reported words of Skarbimir challenging Strasz to a duel, circa 1368.
I suggested early in our summary of Strasz that I believe he is sometimes unjustly dismissed as 'merely' a madman.
In truth, as we have seen, Strasz achieved a great deal. He had conquered England, staved off the plague, and ensured that his grip on the empire was strengthened both by reform and, when necessary, by threat. Had he been in good health, he could have ensured that the Empire remained dominant in Europe and perhaps even further expanded.
However, the suspected trauma of his botched operation led to debilitating seizures, and Strasz suffered from psychotic episodes for the rest of his life. He is often compared, again unfairly, to figures such as Caligula. There are valid comparisons to be made here, but I would only ask that you keep an open mind from this point on.
Having said that, I quickly discredit myself by describing the first well-documented incident of Strasz's declining mental health - when he came close to beating his son to death in front of the court. In what must have been a fleeting moment of courage for young Usciech, he had publicly accused Strasz of having an affair with his wife in early 1368.
Now, given the level of evidence we have from contemporary sources, it is likely that most of the court already knew about this affair and were either being politically motivated or intimidated into silence. For a son to accuse his father, however, nothing could be more scandalous.
The fury into which Strasz is said to have flown is nothing short of legendary. He leapt from his throne, set upon his son like an opponent on a battlefield, and descended upon him in a wild fury. At first, the court took this as another public flogging - but when Strasz did not cease his assault, the servants had to tear the emperor away from his son in genuine fear for his life.
Whatever courage Usciech had found vanished after the assault. For the remainder of his life, the man was seldom seen in public, instead confining himself to his chambers. He and his wife would reportedly never share a bed again.
After this incident, the year did continue with an architectural milestone in the holiest of places for the Slavic Faith - the Sanctuary of the Gods.
Begun in Havel's reign, what had begun as a verdant forest had become a sprawling temple complex, frequented by visitors from all over the empire. While the study of the Late Empire can get bogged down in the decline of the Empire and the sad fates of the rulers of the time, the Empire hardly collapsed. This is illustrated by the fact that the sanctuary of the gods provided a stream of wealth to the crown and priesthood, not to mention the many merchants and towns that sprang up along the pilgrimage routes to serve visitors over the decades and even into the late 14th century.
The temple itself was renovated and remodeled, with an inner sanctum acting as a holy of holies, tended by the senior shamans and rarely seen by the laity outside of festivals. This sanctum contained a statue of Perun, usually on a marble pedestal, with the rest of the Osiem as smaller statues below. Our first depiction of this arrangement is also the introduction of another important figure in the study of the decline of the empire.
Princess Katarzyna, Strasz's eldest daughter, visited the sanctuary in September 1368 in her father's stead. Why the emperor was not present to witness the completion of the decades-long construction is never said, although it is thought to have been due to his deteriorating health. Worse still, it seemed that Katarzyna had acted at the insistence of the more religiously inclined nobles and not on Strasz's orders.
By all accounts, the princess was a popular figure. She was kind, intelligent and an able warrior in her own right. There are even some favourable comparisons with her ancestor Wojslawa, whom she is said to have respected greatly. Above all, as we shall see, she seemed to be the apple of her father's eye, which in itself was unheard of for Strasz. So why was this apparently innocent gesture dangerous?
It was perceived as a Gryfita giving in to noble demands.
The entire central government was deliberately sidelining the traditional power of the nobility in order to keep them in line and ensure its own rise. This was especially true of the nobility within Poland, who held hereditary titles but had little power of their own. This invitation in itself was hardly a crushing blow to the emperor's authority, and in fact only enhanced Katarzyna's status, but it was a sign of things to come.
What would prove fatal was Strasz himself.
Until that fateful day, many would have been unaware that something was amiss with the emperor. His violent beating of Useich, though cruel, was not an uncommon sight in court and could be explained away as business as usual. It is also important to note that the 'incident' with his physician was not widely known. It seems to have been kept as a kind of state secret. Given the target area of the operation, the reasons could range from the perception of being immasculine (Strasz would never have children after the operation, whether he was unable or unwilling is unknown) to simple embarrassment. Whatever the case, Strasz's image of the mighty, strong, absolute emperor had not changed.
Until one day his son Skarbimir challenged him to a duel.
We have a wealth of information on this from many who witnessed the duel, so the reason why it happened is well-known. Note that Strasz's second eldest son should not be confused with his deceased brother; if anything, take it as a sign of the Emperor's genuine affection for the man that he named a son after him.
The reason for the duel was said to have been Strasz's treatment of Usiech, particularly his poorly kept secret of an affair with his son's wife. Only a direct relative could get away with such an accusation, and Skarbimir cunningly shielded himself from retribution by issuing the challenge. If Strasz were to simply attack his son in court or otherwise refuse the challenge, it would be seen as cowardly, as if he were afraid to face his son in a fair fight. It was a direct attack on his authority that could not be dismissed, only accepted.
As for why, it is a case of family ties. Strasz had never made much mention of his children and court records instead suggest that his children looked after each other as they grew up, whenever possible. Skarbimir seems to have done poorly - he was headstrong, a skilled warrior and a member of the Champions of Perun. He was also quick to anger, quick to challenge, as he had clearly shown, and in some ways a spitting image of Strasz in his younger days.
The duel was to take place on 2 November 1368, in full view of the members of the lodge and the shaman, as was the custom. It was to be first blood, with unblunted weapons and armour of the duelists' choice. Strasz had a wealth of experience and combat training, but was in increasingly poor health, while Skarbimir lacked experience, but was young and energetic. On the day of the duel, hundreds are said to have turned out to see the outcome of this family quarrel turned bloody.
Blow for blow details are lacking, though we are told of the curious fact that Strasz chose Thunderheart, the ancestral blade of the Gryftia dynasty, christened by Havel, as his blade. Was it a deliberate choice? Or did it mean something? It is the first time we have heard of the blade being used outside of ceremony. Either way, the blade was now being used for a bloody purpose. Whatever the details, it is the twilight of the duel that is best known, or rather most infamous.
'The Duel of Father and Son' - painted by Natalia Kostek, 1956. Strasz and Skarbimir appear locked in a duel as onlookers watch on.
The two had appeared to be evenly matched and, if sources are to be believed, both men struck with the intent to kill. If true, there was little love lost between the two. As both men backed away from a fight, Strasz would suddenly collapse to the ground, shaking violently and 'speaking in tongues' as he writhed on the floor in abject agony.
Today we know that this was a seizure, an especially bad one. Contemporaries would have reacted with confusion and horror. For most, it was the first time they had seen the strong and powerful Strasz in such a state of helpless torment.
Even his opponent - his own son - was taken aback by the seizure. This would prove to be a fatal mistake.
Either the seizure was brief or Skarbimir's shock was so great that Strasz is said to have sprung to his feet with foam dripping from his mouth and, after a moment's confusion, to have attacked his son with 'a fury born only of madness'. Strasz was relentless, swinging wildly and babbling incoherently, his son unable to keep up, and then - contact.
Thunderhead not only found Skarbimir's neck.
It sliced through it.
What went through the spectator's mind as the young prince's head fell to the ground? What did they think of the almighty Strasz at that moment? Of course, we know the reactions from later sources. It is another of those scenes one wishes they could travel back to and experience in real time, but I digress.
Strasz did not relent, even as the now lifeless, headless body of his son crumpled to the ground. For several moments, we are told, he struck the decapitated body with Thunderheart in a fit of rage, madness, or both. He then spun, blade raised, towards a nearby shaman, as if to cut him down as well, only for the Emperor to freeze in place as if struck by a spell. Looking confused and lost, he turned to his son's corpse and said:
"Another victorious match".
As mentioned previously Strasz’s reign is, in general, seen as the height and the start of decline for the Gryfita Empire. Most today agree this is the case and most argue for different ‘definitive’ reasons why - The conquest of England causing overextension, the aftershocks of the Black Death, the concentration of so much power into a singular individual and so on. I posit one more reason - the killing of his son in this duel.
Make no mistake, the Gryfita dynasty was not unfamiliar with kinslaying. Controversial as it is to put to print, few would argue otherwise when it came to Havel’s brothers or Wratislaw’s brother Ratibor. When Gniewomir was discovered to have ordered the murder of his brother Wanko, it ruined his reign, before his bowels ended it. With Strasz however, it was in broad daylight, in front of a hundred witnesses, all whom could bear witness to not only Strasz’s seizure, but the savage killing of his own son. To say this proved damning, would be an understatement.
Word spread quickly and, as is often the case, out of control. This is evident from the comparatively wealth of sources we have in just about every language spoken in the empire. We even have a few letters written in Yiddish, the language of the Ashkenazi Jews. In a sense, this was itself a sign of Strasz's weakening power: the loss of control over the narrative.
Strasz could no longer portray himself as invincible; No longer was he the mighty conqueror of an island, the man who beat back the plague, who’s vassals readily debased themselves at his feet, for fear of wrath. Not all of this was entirely true of course, but it only mattered that it was what people believed.
Now that belief was shaken. Now he was perceived as a man who had killed his own son over what had been a trivial dispute; now he was accused both in private and in public of kinslaying - itself a repugnant crime in a faith that valued filial piety. The viciousness of the kill did little to aid this accusation and less still, his apparent collapse beforehand.
Strasz was called possessed, cursed and all other manner of terms which in the end meant the same thing; From the peasants to the nobles, Strasz was vulnerable and losing grip not only of his empire - but of himself.
This, Strasz would soon prove in totality.
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