"Acknowledged."
You say it without giving any gesture that may differentiate your existence from never-being. The dim table-light you pulled off from your backpack and installed on the table at the unseen corner of the bAAR hardly illuminates, allowing only a partial view of your face, in any case. on the table, there are manuscripts, drafts, sketches, abstracts, for the next chapters of your work, scheduled for an unknown date. Crusaders, kings, mongols, riders, gers, romans, franks, berbers, tibetans; words are scattered around, randomly, arbitrarily, irregularly. Only you see the master-plan beyond their permutation.
[the belated] arrives late.
[the belated]: Hey guys, I have not heard from you for a while. What's go-
[the belated] sees the others, lined up, trembling, looking at their own feet, paralysed, silent they are. Then he sees the one that is in control. He sees him, and his eyes.
[the belated]: OH SHT!
[the auto-censorist, whispering]: We are well beyond that. Shit, fuck, damn, all free to use.
[the critic]: Wait - damn?? That one is always free - wasn't it?
[the bong-smoking chill-bro bum, terrified just as the others, yet barely able in standing next to them]: Yeah bro. Damn I need a lighter. Anyone?
[the tired]: It depends...
[the brash]: What on earth are you talking about?
[the detailist]: He is right. For example when clarky-boy gable-chap said Frankly my dear, I don't give a damn to vivien leigh, it was considered profane, a terrible attack on the moral values of the society, using such a language in a film, according to prohibition code of the time.
[the bong-smoking chill-bro bum]: Yeah bro, that kind of stuff. Thirties was crazy.
[the editor]: Thirties were crazy. Were.
[the colloquial]: OI! SHHHH!
They realise [the serious] has been looking at them, and now they all make the eye contact. The eyes of [the serious] emit harrowing lightnings. All succumb to silence, back to looking at their feet. Their tremor, now uncontrollable; knowing the furious gaze of [the serious] is still upon them, they become smaller, and smaller, and smaller.
"Acknowledged; yet, the well-being comes first. There are only five people who responded, and two of them have brought distressing news about their health. I am primarily concerned for their condition."
You say it without giving any gesture that may differentiate your existence from never-being. The dim table-light you pulled off from your backpack and installed on the table at the unseen corner of the bAAR hardly illuminates, allowing only a partial view of your face, in any case. on the table, there are manuscripts, drafts, sketches, abstracts, for the next chapters of your work, scheduled for an unknown date. Crusaders, kings, mongols, riders, gers, romans, franks, berbers, tibetans; words are scattered around, randomly, arbitrarily, irregularly. Only you see the master-plan beyond their permutation.
[the belated] arrives late.
[the belated]: Hey guys, I have not heard from you for a while. What's go-
[the belated] sees the others, lined up, trembling, looking at their own feet, paralysed, silent they are. Then he sees the one that is in control. He sees him, and his eyes.
[the belated]: OH SHT!
[the auto-censorist, whispering]: We are well beyond that. Shit, fuck, damn, all free to use.
[the critic]: Wait - damn?? That one is always free - wasn't it?
[the bong-smoking chill-bro bum, terrified just as the others, yet barely able in standing next to them]: Yeah bro. Damn I need a lighter. Anyone?
[the tired]: It depends...
[the brash]: What on earth are you talking about?
[the detailist]: He is right. For example when clarky-boy gable-chap said Frankly my dear, I don't give a damn to vivien leigh, it was considered profane, a terrible attack on the moral values of the society, using such a language in a film, according to prohibition code of the time.
[the bong-smoking chill-bro bum]: Yeah bro, that kind of stuff. Thirties was crazy.
[the editor]: Thirties were crazy. Were.
[the colloquial]: OI! SHHHH!
They realise [the serious] has been looking at them, and now they all make the eye contact. The eyes of [the serious] emit harrowing lightnings. All succumb to silence, back to looking at their feet. Their tremor, now uncontrollable; knowing the furious gaze of [the serious] is still upon them, they become smaller, and smaller, and smaller.
"Acknowledged; yet, the well-being comes first. There are only five people who responded, and two of them have brought distressing news about their health. I am primarily concerned for their condition."
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