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And yes, Arthur deserves it.
And for Maud - well, she has learned from the best, as it were.
To all - So, two things happening here. Finally the Prince has a son and Arthur decides to finally pursue the Scots problem in the north. Note that I purposefully did not show Arthur's perspective in either of these scenes. Of course it's not really necessary as these are mere gameplay actions, but I love folding such events into the mindset of the characters and how they feel about it. The birth of a son to Prince Arthur is very important, but he needs to use the moment to dig at his grandfather. And Arthur coming to Maud's aid in Scotland is also important, but she cannot help but remain bitter. What should be glorious moments turn sour due to Arthur's behavior and demeanor. And all the while, he remains wrapped up in himself and his goals. Again, shades of Henry II who played game upon game with his family and his enemies (who were often one and the same) trying to stay on top and keep them guessing.
Look for the next scene tomorrow and thanks to all for your continued readership and comments. I should also make another plug for the Year end AwAARds...
Less than a month left to make your voice heard so go vote and please feel free to add the above graphic to your own work so we can continue to spread the word. And again, you need not vote for this work (though always appreciated) but please do support one and more of the many great AARs and writAARs in AARland.
The most interesting thing about the name of the Prince's son is that I did not actually choose it. Since he is a Duke now, he got to choose that name and so of course I had to build it into the narrative why he would choose Anselm instead of Arthur. It certainly makes sense given what has been happening between him and his grandfather (all of which is completely made up, by the way.Now this naming is a sutble thing from Prince Arthur. Subtle indeed, and perilous. His wife is right to be worried, but one can well understand the Prince's desire to establish some independence from the millstone that is his family. Of course, he remains of Wessex so it has to be something that cuts another in the family - how else could it be - but this is tame compared to some former gambits.
Plus Arthur deserves it.
As for Queen Maud, she is getting quite Wessexian herself, as if contact and proximity rub off. Certainly she is proving adept at discomforting Arthur's lackeys, and betimes the Emperor himself. Getting on a bit herself now, she remains sharp enough to cut to the quick, but still full of sorrow.
And yes, Arthur deserves it.
And for Maud - well, she has learned from the best, as it were.
Maud has felt many a sting over the years and yet remains standing when so many others have fallen. She is one of my favorite characters (as may be seen by the number of scenes she gets) and is a survivor. Her position is no easy thing and I try to get at that often. To constantly have to beg for help to maintain her kingdom, and to do so from a man she detests...it is indeed painful.There are quite a few characters in this work I would not like to be. This Queen is definitely amongst the worst in that regard. Many has fallen in the wake of Arthur the Just, she more than most. As for the son, I don't like the sound of him facing that rabble. No sirre.
The promise was more reference to the late young King Arthur who often made promises to her and then died. Love GoT as much as anyone, but this one is baked into the story itself and that promise young Arthur made remains bittersweet to me.The wheels of Arthur’s machinery of state turn inexorably and care not who or what may be ground between or under them. Best to stay out of the way or if you can’t just go along for the ride. Even if you like not where they take you. This is a lesson learned many times by Maud, each iteration more bitter than the last.
I also like the reverse House Lannister reference (if that is what it was) at the end about House Wessex never keeping its keeping its promises.![]()
To all - So, two things happening here. Finally the Prince has a son and Arthur decides to finally pursue the Scots problem in the north. Note that I purposefully did not show Arthur's perspective in either of these scenes. Of course it's not really necessary as these are mere gameplay actions, but I love folding such events into the mindset of the characters and how they feel about it. The birth of a son to Prince Arthur is very important, but he needs to use the moment to dig at his grandfather. And Arthur coming to Maud's aid in Scotland is also important, but she cannot help but remain bitter. What should be glorious moments turn sour due to Arthur's behavior and demeanor. And all the while, he remains wrapped up in himself and his goals. Again, shades of Henry II who played game upon game with his family and his enemies (who were often one and the same) trying to stay on top and keep them guessing.
Look for the next scene tomorrow and thanks to all for your continued readership and comments. I should also make another plug for the Year end AwAARds...
Less than a month left to make your voice heard so go vote and please feel free to add the above graphic to your own work so we can continue to spread the word. And again, you need not vote for this work (though always appreciated) but please do support one and more of the many great AARs and writAARs in AARland.