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And by the way, I do love me some SoIaF. I did not pick up the work until late, but now that I have, I cannot put it down. That is part of the reason I simply refuse to read a GoT themed work here, as great as they may be. There is only one GRRM and we should all have our own stories to tell.

I am not sure that the bAAR is in Detroit as is suggested, but those are cold nights (though not as cold as wind-swept Chicago - that would freeze a man to the bone.) And it is not the women of Wessex that seem to have the curse, but the men of that House. The Reaper will take his due, however (and yes...I do not have it on this game), so the men of Wessex are left to determine who is bold and who is not. So too are we.
Yet let me clear, I did not suggest that Uhtræd would die to end this story, or book. I only mention that a new one is on the horizon. A fine distinction, but an important one.
To all - more later as further comments come through, but thank you for those already in bank and I look forward to both your thoughts on these scenes and the future progress of this work. It is an exciting time.
First of all, Butterfly, just an excellent point and thank you for picking it up. These titles are meant to speak more than on one man, and have meaning beyond what might be simple. I do not claim to be a genius (because I am not) but I have been lucky to weave these stories in such a way as to make it about more than one man against the many. Eadgar was a good King but he was haunted by his demons. So too possibly here with Uhtræd (and beyond.) I have certainly been cagey about who The Bold Prince might actually be and here is where we start to see the nature of the title of this work.Just as near the end of The Rightful King near all meaning of the phrase had been crushed under terrible rulers, forced inheritance and wicked deeds, so too now these Bold princes are being worn down by life and loss. If I might make a connection with Got (since you all love it so...for some reason) part of the genius of the first book is that characters tend to be brought low by a critical flaw and humanized, or character assassinated and then killed (This is what gives Ned's scene that gut punch aspect). It is very similar here. Edgar was brought low in his own story. He succeded in spite of it but he was not the good man we knew in the beginning. So it Was, so it is here too.
Very good.
And by the way, I do love me some SoIaF. I did not pick up the work until late, but now that I have, I cannot put it down. That is part of the reason I simply refuse to read a GoT themed work here, as great as they may be. There is only one GRRM and we should all have our own stories to tell.
Eadward does have his moments (and then again, not.) Death was indeed all around at this time and worked for what I was moving towards, thus the heavy emphasis of it of late. It seems appropriate given how many might have looked at such at the time. You are likely right that just because Uhtræd does not place a blame on his father here, that he does not think about it. Part of the reason for bringing up Brother Nylan once again. The King has gone through this crisis of faith once already and now it seems to come back two-fold.They're surrounded by so much death, I would feel as if they were cursed. I am somewhat surprised Uhtræd does not at least lay some of the blame at his father's feet - his murder of a child to gain the throne seems to have been paid back here with the death of Uhtræd's grandson. Though perhaps he does, and simply does not wish to go into it with Eadward - hence his refusal to blame Adela.
Eadward does well in his role here as chancellor though, in at least getting a "white peace" between the brothers. Beo is out of line... but he is grief-stricken. It is understandable.
I must say, @Bullfilter, even if you did not mean to do so - a nice bit of verse there!Well, I awoke this morning to find not one but two rich episodes! So of course had to read them straight away - or after a quick trip to the bAAR anyway, where the ale is as cold as a winters Detroit night!There does seem to be a bit of a curse going on here, though: “Women of Wessex, be thou ‘ware; Cruel Death awaits ye, have a care!”
The grey fog closes in around the feet of our chief protagonist, and now slowly rises. Father Time stalks the land, his old companion - Reaper’s scythe in hand (I know - not the DLC here) - by his side, looking to the good and great to check their progress.
But I hope we have a little while yet before the doleful proclamation “the King is dead, long live Book Three!” is heard across the land!
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I am not sure that the bAAR is in Detroit as is suggested, but those are cold nights (though not as cold as wind-swept Chicago - that would freeze a man to the bone.) And it is not the women of Wessex that seem to have the curse, but the men of that House. The Reaper will take his due, however (and yes...I do not have it on this game), so the men of Wessex are left to determine who is bold and who is not. So too are we.
Yet let me clear, I did not suggest that Uhtræd would die to end this story, or book. I only mention that a new one is on the horizon. A fine distinction, but an important one.
To all - more later as further comments come through, but thank you for those already in bank and I look forward to both your thoughts on these scenes and the future progress of this work. It is an exciting time.