But fenians may not be a great example, since Scotland was always a strong part of their poetry. Even in ostensibly Irish ossianic literature, Scotland is quite frequently mentioned.
Sure Scotland was occasionally mentioned in the Irish context, but Irish poetry certainly doesn't refer to Fionn, Diarmuid, or Conan as being Scottish themselves! (Though some may have wished that Conan was, I kid, I kid). The fact that they naturalised these mythological heroes is a pretty significant development. To have done so represents a strong sense of self identity, and considering how frequently Ossianic allusions and mentions appear within the Scottish context, it can't be dismissed out of hand. It's not just that they changed the birthplace and cultural milieu of their heroes, but they changed the location of their adventures as well.
riadach said:
Well, I've read other examples of arming in Irish Bardic poetry (they're are about four true instances afterall), and references to Irish places aren't necessarily common. But Maith an Chairt does indeed mention Irish charactars, such as Fearghus, Oscar and Fionn when referencing these weapons and armour, which is fairly typical .
The mention of Ossianic figures after they've been naturalised as Scottish rather reinforces my argument. In the context of Scottish Highland belief at the time they were solidly considered to be Scottish, as much as some of the Filidh may have wished otherwise. In the Irish context they remain as Irish, but it's a fairly significant cultural rift. Cú Chulainn as a point of contrast, was never naturalised, and possibly as consequence was never particularly popular in Scotland, at least compared to the heroes of the Fenian cycle.
riadach said:
Maith an Chairt is indeed a good example of what you describe, but I'm not sure it could be used to reflect Scots' tradition as a whole. It is, after all, mid-17th to late 17th century when the main division in Gaeldom had already occured.
Fair enough, honestly I just like the poem, that's the reason why it came to mind. The main issue is that when we're talking about the 867 start date . . . we're rather limited aren't we? We have elegies and praise poems from the likes of Dallan Forgaill, Adomnan, Beccan mac Luigdech, and other members of the Iona community. These are all largely about Colum Cille, someone who was in fact an exiled Gael from Ireland living in Scotland. We have a few fragments on other subjects, but nothing approaching completeness. One fragment is a Gaelic verse composed for Oengus, King of the Picts c. 761 the fragment is about him uniting the various Pictish Kingdoms and Dal Riata under his banner:
Poem on Oengus said:
Good the day when Oengus took Alba,
hilly Alba, with its strong chiefs;
He brought battle to towns, with boards,
with feet hands and with broad shields
No really enough to go on is it?
riadach said:
You would probably have to address the fact what John of Islay would try and assert his genealogy through Colla Uais in the first place. As far as I'm aware, Somhairle dna may contradict any actual connection to Colla Uais himself. But the fact that Ireland is mentioned, is still given it a central ideological significance in Scottish identity. I don't recall many of Collas descendants in Ireland needing to emphasise their patrons position in Scotland. It is an afterthought, an insignificance. Yet not so Ireland in the mind of John. The Irish link is (most like fraudulent), but it is prestigious. The very idea that such genealogies were forged with characters dating much later than any actual or even mythological migration is further indication that Ireland was viewed with much prestige and dominated the cultural relationship.
This opens up a pretty huge can of worms, which I'll try to digest without grimacing too much!
(1) The genealogy Somerled and his descendants are many things, but a descendant from Colla Uais they are not. David Sellar's
The Origins and Ancestry of Somerled, Scottish Historical Review, Vol 45, No. 140 (Oct 1966) and Alex Woolf's
The Origins and ancestry of Somerled: Gofraid mac Fergus and the Annals of the Four Masters are two excellent primers on the topic, and two works that stand directly in contrast to each other. Long story short, they faked their Genealogy because they either forgot what it was, or the truth wasn't particularly say, Gaelic of them.
(2) The history of the Gaels in Scotland includes their history before they arrived in Scotland. Referencing this historic past does not imply they express an exiled mentality. Unless of course the references to Mil Espania represent a sense of exile from Spain, Scota a sense of Exile from Egypt, or Goidel Glas a sense of Exile from Greece (though Goidel Glas is one of the reasons why Greece is mentioned with what to an outsider might appear an unusual frequency).
It should also be noted that the poem continues past Colla, and goes straight back to Adam!
The Supremacy of the Gaels for Clann Cholla said:
If I were to enumerate all the forebears
of Gaelic nobles,
a blight on any generation back to Adam
no man has found.
I'm being a bit facetious here on purpose, but this certainly can't be taken as a reference to a true exiled mentality regarding exile from the garden of Eden!
(3) Gaels were quite proud of their ability to trace back their ancestry to the time of Adam (which needless to say required quite a bit in the way of fabrication). There's really no reason for them to stop and say, "well this is the first Ancestor to arrive in Scotland, I think we can stop here." In terms of the Macdonalds and the other MacSorleys, they have a few keynote figures they like to highlight.
The Supremacy of the Gaels for Clann Cholla said:
Somhairle who Earned his reputation,
leader of heroes.
Sommerled is the biggest, then it's Colla Uais or Conn Cétchathac (and hey, it's Conn of the Hundred Battles, who wouldn't like to bring that guy up in conversation?).
I should also point out that of the 12 people mentioned by name in the poem, 1 is John, 1 is Adam, 1 is Colla, the rest are Scottish Gaels. Also after Somerled the poet starts skipping generations, mentioning only one person by name before getting to Colla. Not quite a rousing example of Irish fixation.
At the end of the day this is a discussion at best tangentially linked to the topic at hand, I guess we'll just have to agree to disagree? I must admit I've found it quite enjoyable though, there aren't too many people with whom you can have a conversation regarding medieval Gaelic poetry.