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telesien

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You must be refering to spangenhelm type helmets. They were of Central Asian/steppe origin, and Romans adopted them from either Sasanians, Sarmatians, Goths or from any combination of them.



Of course, all we can do is make hypotheses why this change took place. But bear in mind that during the Principate oval or hexagonal shields (smaller than a rectangular scutum) already existed and were used by auxiliary forces and cavalry (see for example Trajan's column). The scutum was strictly used by legionary heavy infantry, and thus it was associated to a very specific type of combat and tactics (close order combat using pila and gladii).



We have two contemporary sources for Caracalla's and the early III century CE at large: Cassius Dio and Herodian. Cassius Dio was not a gossipy historian, but he belonged to a very aristocratic and traditionalist milieu and this shaped his attitudes and mores towards government and public life in general. His Roman History, written in Greek (he was a Bythinian Greek from Nicomedia) has not survived complete, and many parts are only known to us through later compilations in a radically abbreviated form put together in medieval times (Constantine VII Porphyrogenitus, John Xyphilinus and John Zonaras) or by quotations and references in works by later authors. His model was mainly Titus Livius, and his Roman History was a monumental history of Rome ab urbe condita, following Livius' example. The most interesting parts are precisely the final books, reporting events of which he was a direct witness (reigns of Commodus to Severus Alexander). Unfortunately, the books of this latter part of his work are the ones that have been preserved the worst. We lack whole parts, and the rest is exclusively known through medieval Byzantine recenssions.

Cassius Dio's testimony is exceptional because he belonged to the highest social and political rank of the empire. He was a senator, and twice consul. He was also an amicus of two emperors, Septimius Severus and Severus Alexander. This means that he was an insider of the Roman governing elite. But this also means that he was as conservative and reactionary as one might be, and his outlook of society and events in general was taken through a very narrow senatorial lens (the same one used by Livius, Pliny or Tacitus). The latter books of his work were written at an advanced age, and although the information they provide is invaluable, they were the writings of an embittered old man settling accounts with emperors and people in general against whom he had an axe to grind. The account of the reigns of Commodus, Septimius Severus, Caracalla, Elagabalus and Macrinus were written during his retirement in his native Nicomedia after Septimius Severus' death. He had been an amicus of Severus, consul under him, and been member f the emperor's private council. Caracalla dispensed with his services and an embittered Cassius Dio retired to Nicomedia to write. His narrative of Caracalla's reign was thus written from outside of Rome and of the ruling circles of the moment, and by a man who hated Caracalla for personal reasons and despised his personal behaviour: for an aristocrat like Cassius Dio, Caracalla's behaviour mixing with common soldiers was a show of populism of the worst kind and a disgrace to his social rank and post.

Taking this into account, Cassius Dio's information about Caracalla's reign must be taken with caution and never at face value.

Herodian is an alternative and less biased source. The problem is that the material's quality is much lower than with Cassius' work. Herodian wrote also in Greek (he was probably a Syrian from Antiochia) but he only rose to the rank of a minor functionary in the imperial administration; thus his work is definitely that of an outsider, and one that was at times not very well informed. His writing also leaves much to be desired, he lacked the education, intelligence and incisiveness of Cassius Dio, and his work shows these defficiences. But despite all this, his relative lack of bias makes for an invaluable source to compare with Dio's account.

There are no more contemporary sources. The rest of sources date from the IV century, and use material now lost. The most complete account is that of the Historia Augusta (HA), a very problematic work. But it's still an important source; it ofefrs biographies of all the emperors from Hadrian to the advent of Diocletian. It was written in Latin and follows the style of Suetonius' Lives of the Twelve Caesars, full of gossip and scandal. The problem is that unlike Suetonius, the author or authors of the HA (Scriptores Historiae Augustae, SHA) in many cases directly forge tales and all kind of falsehoods, making the HA a minefield for historians. It was originally written in Latin probably during the late IV century and draws from older works written also in Latin. For the 12 emperors from Nerva to Elagabalus, the source for the SHA was a work that is now lost, the collection of imperial biographies written by Marius Maximus. And this person was a contemporary of Cassius Dio, and also a senator and twice consul, which gives weight to his accounts; the problem is that unlike Cassius Dio, who followed Livius' and Tacitus' steps in writing "serious" history, Marius Maximus followed Suetonius, and went after gossip, scandal and amusement.

There are no more sources, other than archaeology, epigraphy, Egyptian papyri or writings of contemporary writers that made indirect mention of the events in the empire at large at the time (Philostratus, Tertullian, Sextus Africanus, etc.). We don't have even the full text of the momentous Constitutio Antoniniana, only a fragmentary payrus from Egypt with its mutilated Greek translation.



Severus and Caracalla raised very substantially the legionaries' pay and gave them important social privileges. But at the same time, the length of service and the strict discipline of the legions remained untouched. If the problem of lack of recruits persisted, this meant that these elements that had remained untouched were precisely the ones that old stock Roman citizens had a problem with, and it was not merely a money issue. Also, the creation of 3 new legions by Septimius Severus (I, II and III Parthicae), added to the new legiosn already raised by Marcus Aurelius (I, II and III Italicae) and the effects of the Antonine Plague probably did not help at all.

The Constitutio Antoniniana made possible for previous non-citizens of non-servile origins (called peregrini in Roman law) to make an extraordinary social jump: from being a non-citizen to equestrian rank, a process that usually had taken generations and lots of luck to achieve. It's perfectly possible to imagine that on a short term (which probably was the only thing that Caracalla was interested in, as he needed recruits for his oncoming eastern war) this combination effectively boosted the numbers of recruits for the legions.
I think my comment seemed to be a bit more critical than I meant it. I never wanted to liken Cassius Dio to something like Historia Augusta. Having not read it myself (and being fully aware, that I don't have the required skills to asses this myself anyway), I was merely remembering a point I've read somewhere, that you can't really 100% trust him, when he claims something extraordinary, because he at least sometimes took something we consider gossip as fact, unlike for example Tacitus, who is AFAIK considered very reliable.

Interesting notes about about the recruitment. I thought the equestrian status was only for ex-centurions, but maybe it was before that. Still interesting that even the promise of hight political status didn't convince the old Romans to join
 

Kovax

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The metal strips to produce Lorica Segmentata were simple and relatively quick to produce, especially with semi-automated water driven hammers used in a few of the fabricae of the period, but the bronze fittings were more breakable, and harder to replace in the field than a handful of rings. A lot of broken fittings have been found at legionary campsites and former garrisons. I can't imagine the idea of casting your own replacement fittings in the field having gone over well, and waiting for spare parts to arrive from Rome is certainly a problem.

Having worn a set of Lorica Segmentata (a poor reproduction), I was VERY impressed with how it moved compared to chain mail. It just might not have been as practical in the long run.
 

AegonVLLI

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This, however, is less correct. Shield size and shape changes throughout the Medieval period, and while there is a general trend for shields to get smaller as the armour improves, this is by no means universal. Pavises are very large shields and remained popular for crossbowmen right up until they were made obsolete by guns.

Even in the 16th and 17th centuries there are numerous references to large shields, such as targets and rotellas, in fencing manuals. Some examples include the manuals by Di Grassi, Capa Ferro, Giganti, Meyer and Agrippa. The choice of shield seems to be dependent on factors such as skill, availability and fashion. Rapiers are also very, very fast for thrusts. They recover slowly from cuts but this the only way they can be called 'slow'.

Large shields such as an iron age round shield or a hoplon are actually very easy to use with short (<2m) spears. Even the Roman scutum was used with spears (the hasta after which hastadi are named is a type of spear). What they hard to use with are long spears or pikes - as these need two hands to wield effectively. Small light shields (such as the Macedonians used) could be held in the leading hand without excessive difficulty, although even then they may have been abandoned or removed when entering a melee.

Yeah, I shouldn't have called it a trend. But you can easily see that the shields changed with the fighting style, which would esplain the roman design change.
Rapiers are slow, compared to shortswords. There is considerably more time to react, simply because the distance between the fighters is greater, which made parrying more feasible.
 

Klausewitz

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Having worn a set of Lorica Segmentata (a poor reproduction), I was VERY impressed with how it moved compared to chain mail. It just might not have been as practical in the long run.
Can you expand on this?
 

telesien

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Can you expand on this?
Based on what I've read from people who also wore it, they were surprised how it felt natural and didn't really limit their movement as they expected it to do.
Especially when you compare it to chainmail, that just hangs there on your shoulders and gets really annyoing quite soon.
 

Henry IX

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Yeah, I shouldn't have called it a trend. But you can easily see that the shields changed with the fighting style, which would esplain the roman design change.
Rapiers are slow, compared to shortswords. There is considerably more time to react, simply because the distance between the fighters is greater, which made parrying more feasible.

Having fought with both for the last 15 years, I think I can safely say that this is not correct, at least if you are referring to what George Silver referred to as a 'short sword' in his late 16th century texts (Paradoxes of Defence and Brief Instructions). This is an approximately 34-36 inch blade with a fairly wide cross section designed for cuts and thrusts. This style of blade is about the same mass as a 42-46 inch blade rapier, due to the thinner blade of the rapier. As such they are both equally 'fast' however, they are balanced differently which makes thrusts easier with the rapier and cuts easier with the short sword. The distance from the point of the blade to the opponent is roughly the same for each weapon.

if you are referring to a Viking style sword as a short sword, then these act very differently and are faster, due to their short length. They are hard to parry with, and require a shield, due to the lack of hand protection compared with later cruciform swords.

Parrying is something usually done with shorter swords, earlier period manuals tend to emphasise a 'parry-repost' timing to a fight (duo-tempo in technical parlance) while rapier manuals tend to rely on controlling the opponent's blade and counter-attacks on the line. This can be clearly seen when Silver's writings are compared to rapier manuals of the same period such as Agrippa or Capa Ferro.

Your key point about the interaction between shields and weapons is correct, however. Sorry about the technical niggle.:p
 

Kovax

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Can you expand on this?
Chain mail has a "grain" to it. It is quite flexible in one direction, but less so in the other, not at all like cloth. It freely compresses or collapses in one direction, and expands (or hangs) in that same direction up to a limit and no further, yet any attempts to pull on it at 90 degrees from that direction result in compression in that first dimension. It also tends to "hang" from the shoulders, and the granular nature tends to make it pull tight, lending a feeling of resistance to your arm movements. Although a belt helps redistribute some of the burden of the lower sections to the hips, It also restricts torso twisting. Twisting tends to pull on the armor diagonally, and chain mail is only partially able to conform to that movement.

The individual lames of Lorica Segmentata are each able to "telescope" at angles to some degree, and rotate to some extent, since they are suspended from each other with flexible leather strips. I was able to make full torso twists, bend forward or sideways, and otherwise contort my body with no serious hindrance from the armor. The complex hinged shoulders (pauldrons) were a bit awkward at moments (particularly if reaching an arm completely across the body), but not to a significant degree. While most of the weight still hangs, it has a wider contact area, including the upper chest, and overall it's not quite as heavy as chain.

I was also impressed with how the lames redistributed part of the energy of an impact to the lames below, and a couple of hard strikes from a wooden pole left dents in the armor (good thing it was a cheap reproduction), but I couldn't even tell where they landed (I was wearing a thinly padded garment beneath), only that I had been hit on that side. The narrow gaps between the lames would prevent all but a thin blade from slipping between them, and even that would be at such a shallow angle as to only inflict a surface injury.

If the replacement of broken fittings was a serious ongoing problem, I can see it resulting in the gradual phasing out of Lorica Segmentata. While Lorica Hamata and Lorica Squamata (ring and scale) were more labor intensive to produce, they were probably easier to repair in the field. Labor was a relative non-issue for a slave labor society. Lorica Segmentata only existed in the Roman army for a relatively short period of time (less than two centuries), and never fully replaced the other armor types.
 
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AegonVLLI

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Having fought with both for the last 15 years, I think I can safely say that this is not correct, at least if you are referring to what George Silver referred to as a 'short sword' in his late 16th century texts (Paradoxes of Defence and Brief Instructions). This is an approximately 34-36 inch blade with a fairly wide cross section designed for cuts and thrusts. This style of blade is about the same mass as a 42-46 inch blade rapier, due to the thinner blade of the rapier. As such they are both equally 'fast' however, they are balanced differently which makes thrusts easier with the rapier and cuts easier with the short sword. The distance from the point of the blade to the opponent is roughly the same for each weapon.

if you are referring to a Viking style sword as a short sword, then these act very differently and are faster, due to their short length. They are hard to parry with, and require a shield, due to the lack of hand protection compared with later cruciform swords.

Parrying is something usually done with shorter swords, earlier period manuals tend to emphasise a 'parry-repost' timing to a fight (duo-tempo in technical parlance) while rapier manuals tend to rely on controlling the opponent's blade and counter-attacks on the line. This can be clearly seen when Silver's writings are compared to rapier manuals of the same period such as Agrippa or Capa Ferro.

Your key point about the interaction between shields and weapons is correct, however. Sorry about the technical niggle.:p
Originally, I was refering to the roman gladius and afaik, these were around 22 inches.
I compared the rapier and the gladius, because they are just nice to compare (great shield and very small sword vs. great/long sword and very small shield).
With these, it is very easy to see, why and how fighting styles change the equipment used, especially the different methods of defending and the size of a shield.
Maybe I mixed these up a little bit, but that was basically the point I wanted to make :)