ScouseJedi said:
Well finally, after staring at the links in your sig as I eagerly view the Eu III AAR Sforza, I finally checked out your opus.
Normally, viewing blocks of text detailing historical narrative turns me away but I gave in and read a few posts, then a few more.
That was 3 days ago. Reading a few hours a night I have finally, and sadly reached the end.
Brilliant, there are phrases I can use now on these forums that only your readers will understand. - a 'seven point crash' lol
The moment that really got to me was quite early on, in Southern Africa.
I realised that he had been away from his homeland for so long and never got to make the journey home.
..
In terms of your writing style, there is a change around the time of the Waly's succession. For instance, the character Tess appeared around this time - a great forshadowing. Just wondering. Was this the time that you had actually completed the game playing and actually knew what was coming when writing?
Would you recommend playing a complete GC before beginning an AAR in order to gain the ability to forshadow characters and events correctly (in a perfect world of course)?
Sadly, I fear my work is only beginning. There are other AARs and writAARs that you name with reverence in your posts that I will have to check out.... and of course I shall have to try to create my own effort.
Thank you for the entertaining read.
Matt.
Wow! Quite a tribute, Matt -- thank you!
Thank you for taking so much time to read this. This is really FAR more my favorite, compared to Sforza. I enjoy Sforza, and I enjoy that people like Sforza, but I really put tons more work into this, and it's more my favored style of writing.
Yes -- the SEVEN POINT CRASH -- was certainly memorable! :rofl:
Hmm... As to whether I'd ended the game at the point of the succession crisis. I'm not 100% certain where I ended it. I think I must have made mention of it, at some point in feedback. But I don't recall for sure.
I know I didn't play out the last 5 years or so -- the British and American wars -- until after that point, actually. I did not know that Wilson would become an ACTUAL enemy, rather than simply a personal one. I tend to have a relatively dim view of Wilson, anyway, and so I set them up as antagonists.
I had been playing ahead by about 5 years through most of that later part of the game, so that I did have some context on what would happen in the near future. And I'd been planning the story ahead with interesting subplots and threads to weave in, but without knowing exactly where things would head.
I seem to recall that when I came up to the 1900 stage, I was wanting to end the headlong dive into disaster which Kaiser Wilhelm II was creating for himself. The death of his eldest son in Panama -- I figured the son would naturally be in the thick of combat, and I got thoroughly spanked in one portion of that battle, and decided I could use that -- was an inspiration for a scenario by which I could end Wilhelm's reign. I recalled a book by McCullough (sp?) about Harry Truman's accession to the presidency -- a man who was barely expecting to ever have to face major responsibility just 2 years before, but who was thrust suddenly into the most important office in the world at that time! What if, I thought, I could recreate some of the feeling of that surprise and irony in the AAR?
So at that point, I stopped playing, more or less, and created the whole of the succession scenario, planned out on paper, and then changed as the story went on (because the readers actually got involved in the writing, and I was able to respond to suggestions, which turned out very well!). It was only after, as I recall, this writing was finished, that I turned my attention to the new administration of Waldemar I, and how he might conduct an entirely different foreign policy.
I also remember that, at the time of the British War, actually, I was QUITE surprised by that war! I had planned an invasion of Peru, and this darned surprise declaration interfered with it all, JUST as my invasion ships were passing Scotland. So.... that's where that storyline came in.
And to tell you the truth, I never expected the Tess and Archie story to go very far at all! I introduced the couple as a means of describing the spectacle of the Victorian Jubilee without having to have the German Royal Family as the only point of view. I did figure I might have use for a spy in the future, so I used that line. I was amazed and gratified, when the British war came up, that I could restore those two minor characters into the narrative again.
I was quite fascinated, at many points, at how I would find uses for older "threads" which could be woven back into the fabric of the story! I discovered that that's the beauty of a complex storyline -- that there's so much useful stuff to weave back in.
And I might have to credit Babylon 5, actually, for that concept -- B5 was constantly tying up loose ends that you'd forgotten about, and completing them into an intricate tapestry which made sense at the end, even though I'm relatively sure many of those subplots were obscure or invisible to Straczynski (the writer) in the early stages of the show.
Anyway... Just some thoughts, in response to your questions. You're right about Bittenfeld (and many others like him, I think!). It is tragic, as these things often are. I sometimes wonder how differently the story might have turned out if I'd been more into the character development process in that early stage. As it was, Bittenfeld was more a concept than a character. I hesitate to think what might have been if so many of those early characters had had the life and depth of my later characters!
In response to your final question... wow. I don't know that I could recommend playing the whole thing. I actually think it added much to my AAR to be playing as I wrote, because it became more of a
Guess the Author sort of scene-writing challenge to have to adapt to the totally unexpected turns the game would throw at me. I also think that's much of how I grew as a writer during this process.
Thank you very much for reading... and for your comments! It warms my heart to return to this story, even as it lay dormant.
Rensslaer