Firstly it is a game with a far greater rural/semirural following than urban. I think this has a certain potential to go political in the more controlled world of this Britain.
So I'll tell you what my first thought was when you brought up cricket. Back in second year, I was writing a short paper on the importation of English picturesque gardens to Wales in the late 18th century. One of the references I used I distinctly remember discussing the development of cricket in the context of the gothic and the picturesque, as well as linking cricket (with its boundaries and well-kept lawns) to the wider discussion about enclosure and exclusion that follows on from any investigation into landscaping.
I've just gone back and managed to relocate the reference paper, and the conclusions it draws are pretty fascinating. The main thing that interested me was the fact that cricket was more or less a folk game, once considered a great nuisance, later co-opted by country gentlemen because it looked good viewed from the house (the happy sight of men enjoying their leisure at the squire's allowance) and also encouraged the assiduous mowing of the level lawns. With the country houses taken into public use after the Thirties as apartment buildings, convalescent hospitals and so on, I could quite easily imagine some folk revival of cricket in this context.
What sort of impact this might have a few decades down the line, I'd have to give a little more thought.
Secondly is is a game that laid very strong roots during Empire... roots that are starting to seriously flourish in the 60s in OTL. In this timeline there is no reason the same transformation of the game is about to take place, which also I think proffers an interesting dynamic.
Cricket and Empire has already had a little outing with the mention of CLR James and Learie Constantine, so canonically it is at least still being played at international level
somewhere. And come to think of it, I think it's established that Constantine was playing in Lancashire in the Thirties. Perhaps cricket becomes a very regional thing, with strong uptake in the traditional hotspots but limited national coordination and little impetus for a national side? My feeling actually is that by the Seventies some sort of "Commonwealth" (or likely England) team could be put together to do a sort of goodwill tour of Windsor Australia. Like Fischer–Spassky but with a revived Ashes, which I'd had ideas about doing with snooker anyway. Maybe I'll hold off on a cricket overview until "book two" and do another sporting diplomacy piece…
Yes, big new money in the 20s, boarding school and wmpire business in 30s, fighter pilot and spy in 40s, writer from then on. Very well connected, very varied life.
alas, probably would leave England in childhood but would be interesting to see what hijinks hed get up to partying it up in Washington whilst also trying to convert and seduce his way through the crowd.
There's also that fact that he was a pretty unpleasant person when it comes down to it. I've been planning already for some opposition groups towards the end of the Sixties, so maybe I'll fold him into that stuff. Without going too much into the truly dark territory, that is.
The problem with pop culture after the 50s is that everyone who would have risen to prominence has to not have any aristocratic or super capitalist background, which guts the Cambridge footlights and most 20th century comedy...as well as most famous academics and writers etc. The middle and working class figures would survive though, presumably. Will Russel would do very well in the new order.
This is something I've been quite excited about since the start of the project, tbh. Python and the Goodies are maybe out, although the Goons would I guess still be around – even if not on the CBC in the Fifties – so there'll be something of that tradition established somewhere. Obviously Moore, Cook and Sellers are already canon with The Red Adder. In book two things get easier because we can bring in Victoria Wood to put everyone in their place.
Willy Russell is a good shout, and a bit later there's obviously Loach and Leigh and so on to come. I'll probably also bring in people like BS Johnson and a few others from the working class avant garde. The class thing is somethign I've been interested in because with stuff like Beynd the Fringe you have all these middle-class kids who probably would've been civil servants or whatever, but they were a few years too late so ended up at satire. Here the switch takes place a generation earlier, so you end up with people who would've been bourgeois actually just being like everybody else.
That said, one of my all time least favourite genres of British comedy is the sort of BBC-friendly "hackneyed class analysis as stand-up routine" stuff that was popular around the last decade, so I'm
very happy to establish a more interesting course in the long run.
...maybe, perhaps, under mosley, the City did a deal so that they were basically Hong Kong in China, and capitalism under some form of goverment oversight thrived in the square mile limit. I can see mosely wanting it, I can see the city going for it, I can sort of see them both convicting everyone else that it needs to happen at least for a 'transition period' that under mosley would never end.
For ease let's just say this is what went on. Mosley would definitely go for it, and being in charge of overseeing the CPGB economic restructuring (talk about fox in charge of the henhouse…) there'd be little any of the communists could really do to stop him. I will probably revisit this once things have settled down a bit in the Seventies.