Hi up to date people.
I'm just butting in to say how much I like
@DensleyBlair 's piece on 'new brutalism' as the architecture of Mosleyism (
#393)
The Hunstanton school does look very van der Rohe now that you mention it. It is interesting that variants of modernism and brutalism have sprung up and been used as the defining style for a variety of government forms, from the Communist block, to the US, through post-war Europe and South-American dictatorships. There is a lot of irony in the instrumentalisation of a rather international style that breaks with regional and national traditions as the architecture of a nation. There is this beautiful scene in the movie 'Playtime' by Jacques Tati, where he's looking in the window of a travel agency, and all the big destinations are being advertised with pictures of near-identical steel and glass towers, all proud displays of their respective national identities... Of course, there is more variety than that in modernism, but that doesn't negate the point that these architects often saw their work as internationally applicable and not tied to local custom or history.
As an almost-architect (only the Master's thesis to finish) I have had professors both deify and denigrate (more the former than the latter) this period in European architecture, including the Smithsons, Le Corbusier, van der Rohe, Aalto etc. Often this is coupled with an equal and often opposing admiration or disdain for post-modernism, though I did have one professor who seemed to genuinely admire creations from both periods.
Anyhow, I hope there will be another update that describes the evolution of the very British new Brutalism into the late '60s and '70s. Have a nice day everyone. Back to slowly catching up.