Ps: I also meant to remark on the King’s awful set of character traits and now maladies - yuck!
No wonder he’s such a terrible King. And they called Foulques “Ill Ruler”! 
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This is a really interesting analogy. Of course in the Cyropaedia is a largely positive account of Cyrus' own life (I always got the feeling Xenophon rather wished for a Greek Cyrus - alas he didn't live long enough for Alexander).Geoffrey reminds me of Xenophon's Cyrus in a dark mirror - and not just his uncanny verbal ju-jitsu and cynicism to the point of outward honour. More precisely, Cyrus plays the exact same trick as Geoffrey does with Alias, using his gay BFF as a mouthpiece to say what he shouldn't say himself.
It's worth noting that Xenophon writes Cyrus as a backhanded compliment to ambition. While Cyrus creates a vast, finely-tuned empire, in doing so he corrupts the political, social, and moral life of his subjects to the point where the empire collapses and the Persians are, in some sense, worse off than before. Geoffrey's lust for power might put his 'Angevin Empire' into a similar position, and leave Anjou subjugated where it once was free. There are many reasons Foulques disdained the crown, but I suspect one was a practical soldier's wariness of hubris.
This is a really interesting analogy. Of course in the Cyropaedia is a largely positive account of Cyrus' own life (I always got the feeling Xenophon rather wished for a Greek Cyrus - alas he didn't live long enough for Alexander).
Geoffrey has gotten what he wants and spends little time in making sure it stays his. It was pure Geoffrey with the king. Get what he wanted while making it look like it was what the king needed. I cannot wait to see waht happens when he reaches Anjou.
Ps: I also meant to remark on the King’s awful set of character traits and now maladies - yuck!No wonder he’s such a terrible King. And they called Foulques “Ill Ruler”!
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Geoffrey reminds me of Xenophon's Cyrus in a dark mirror - and not just his uncanny verbal ju-jitsu and cynicism to the point of outward honour. More precisely, Cyrus plays the exact same trick as Geoffrey does with Alias, using his gay BFF as a mouthpiece to say what he shouldn't say himself.
It's worth noting that Xenophon writes Cyrus as a backhanded compliment to ambition. While Cyrus creates a vast, finely-tuned empire, in doing so he corrupts the political, social, and moral life of his subjects to the point where the empire collapses and the Persians are, in some sense, worse off than before. Geoffrey's lust for power might put his 'Angevin Empire' into a similar position, and leave Anjou subjugated where it once was free. There are many reasons Foulques disdained the crown, but I suspect one was a practical soldier's wariness of hubris.
This is a really interesting analogy. Of course in the Cyropaedia is a largely positive account of Cyrus' own life (I always got the feeling Xenophon rather wished for a Greek Cyrus - alas he didn't live long enough for Alexander).
Far away for some indeed, I spent the holidays 200km away from Rosellò and just 4km from the french border.
Well that was something, you have a knack for writting thought-patterns it seems. We saw it before, of course, but now that you control Geoffrey it is more evident.
I'm glad someone brought up Lily, when she first appeared I thought she would turn out pretty interesting to watch, but I must admit I forgot about her.
Our new duke has a tough road ahead and if he can go along the twisting and winding path without bloodletting I bet in this timeline he will achieve eternal fame. Specially if he ends up carving an independent realm that lasts for several centuries...
On a sidenote, I've been playing a game with León in which Hugues inherits France early on an goes absolutely berserk, getting all the laws to max, assembling an OP council, recovering Normandy, conquering a duchy from the HRE, some counties in Spain (to my great frustration), and a chunk of north África, ending his days on a succesful crusade. Quite the contrast huh...
Looks like the new Duke d'Anjou has hit the ground running! I like others have noted his apparent lack of grief over his father's passing, but I'm willing to give him a pass on this one. It strikes me as typical medieval behavior, and the mutual opinion malus the two shared doesn't help. There's a time to mourn later regardless, as the young man has three ducal titles to sort out and synchronize (if in no other way than the succession laws). As for the king, I'll be amazed if the old man lives for another year...
Looking forward to the next chapter of this already excellent second book!
Not to get too off topic, but I have always enjoyed the interpretation (I don't remember if it was Strauss himself or Christopher Nadon channeling him) that Cyrus's own perfection is itself a condemnation of empire - that not even the most virtuous monarch can make empire work, and thus we ought to re-evaluate the irrational and unmeritocratic society the Persians began with. Cyrus, the just judge par excellence, destroys law and virtue in the process of building a politics based on reason and merit. Perhaps, on Xenophon's account, this republican/oligarchic virtue of the polis is the best we can do in political life, as politics is always founded upon contingency and competition. The Cyropaedia, then, along with some of the dialogues in the Memorabilia on the political and philosophic life, suggests that the political life is not nearly as superior to private life as a superficial comparison between Cyrus and Socrates would have you believe.
Of course, Xenophon is thinking about the choice of life for the most virtuous man - Geoffrey, like Foulques, may have powerful political virtues, but he lacks entkratia, self-rule. As such, just like his father, he can only rule well when he is not overcome by lust or greed. While Geoffrey should have looked to Cyrus's example (incidentally, the Cyropaedia is the only book Machiavelli explicitly recommends), now he is formed as a man he would learn more from the Hiero. What must the tyrant do if he desires to be truly loved? Benefit his subjects, naturally. How can the tyrant benefit his subjects? To some extent, this must be at the expense of other cities. Watch out, Berry, Brittany, and beyond...
With that he turned quickly, his cloak billowing in the small gust of wind his spin had created, and walked quickly from the crypt, his footsteps heavy enough to make a sound. When he reached the stairs, he turned back to Agnes.
“This never happened,” he told her. “Father’s leg was not broken by my hand and my feelings toward him are nothing but complementary, especially here, in Anjou. Do you understand?”
His tone surprised her. Geoffrey was always sweet to her, overly complimentary and inviting. It made sense, since he desired to bed her despite their blood. Or because of it.
But here, he was not sweet. There was no honey in his question. It was venom, spit with a voice that reminded her of the man who lay, now broken, beside her.
“Of… of course brother,” Agnes replied.
He did not thank her, instead marching up the stairs from the crypt before the opening door and slamming it behind him.
Once again going through the motions in public and laying bare his hate when he's alone. What a piece of work.
Careful Jabber. Someone with that high a Diplo score shouldn't be so easy to dislike lol.
Agnes is not the only one disturbed by Duke Geoffrey's behaviour. When he requested privacy for himself and Agnes, I admit I had a moment of sheer horror and muttered "Don't you DARE seduce your sister here." He fortunately obliged, mostly, but it's a testament to your ability to turn main characters we root for into very, very complicated people we occasionally distrust or dislike.
Going off of that, after pondering his... erm... accident with his father's corpse, I admit another horrible thought popped into my head. I recall a certain event one occasionally gets when a rival passes away... I'm sure Count Alias will only be sent to repair the damage, but I can't be certain he won't do anything else with Foulques' body, or his head... your cryptic statement, "Plus the AI decided to do something that required my action." makes me more suspicious than usual of Geoffrey.
A suspenseful chapter overall, I'm looking forward to further developments!
EDIT: Also, bravo and well-done in regards to your research! Yes, I've heard of the disaster that was William the Conqueror's burial, my apologies you had to sift through that horror, but I'm sure you learned a lot. Perhaps more than you wanted from the sound of things.
I find it very interesting we have this episode from Agnes' point of view, and I find it a very convincing write-up. Especially the various fears preying on her. That just felt very real to me.
I also find it interesting in that all we have is Agnes' view of Geoffrey and his reported words. He comes across very harsh here, but I would wager Geoffrey is putting on an act, even with her. There is clearly turmoil going on under that facade. He leaks out in his anger, but it is there.
What strikes me the most though is how Geoffrey's sudden outlet of violence - smashing something - is so very Foulques.
It's a rare thing indeed when a single line of dialogue makes me completely reevaluate a character I thought I had a handle on, but Geoffrey's line here has accomplished just that. We get a glimpse behind the facade, and it is terrifying.
Worse still -- Geoffrey is much too smart to have simply let this slip by accident. My read is that he's basically telling her (without overtly saying so) that he knows she's afraid of him, and that if he can't get what he wants with flattery and honeyed words then he'll play on those fears until she's terrorized into giving him what he wants or she simply breaks. That is an incredibly dark and manipulative thing to threaten someone with, even given the world they live in.
We see the true Geoffrey and he is his father's son. Outwardly he is all sugary but his real self is just as hard and ruthless as his father was. Is this the demon his mother spoke of? Looks like we are in for a fun ride with Duke Geoffrey.
Yes, the reaction at the end by Geoffrey is threatening and surprisingly harsh to Agnes. And, as others have mentioned, signal his personal version of Foulques’ hardness.
But, because we do get it from Agnes’ perspective, there is also the chance that it is one of those exceptions that makes the rule: maybe Geoffrey is far more emotional and affected by this moment of undeniable truth and reality than he thought he would be or cares to admit. That it causes him to lash out, literally blindly. On his father’s body and then at Agnes, who has seen his venom, emotion and lapse of control: pushed away by her again (some frustration) and shame over what he has just done. Which makes him seem immature and (as only Foulques, even in death, can do) childish and unworthy.
I think others having such impressions of him are his greatest fears. And it is the legacy Foulques has bequeathed him. It will drive him to great ambition and (almost certainly) terrible deeds justified by these pervasive sensitivities. Foulques’ ghost isn’t required: he will live within Geoffrey’s mind, his sarcastic and deriding voice decrying his every achievement far more harshly than he really did in life. That is Geoffrey’s curse, and he will carry it with him always.
Very interesting episode. These will be turbulent times: and I look forward to seeing what Geoffrey makes of his reaction and state of mind, when he next gets the opportunity!
I did not expect that behaviour from Geoffrey... especially towards his sister... Hubris is coming
I liked that we got that chapter from Agnes' perspective. It keeps us guessing a little about Geoffrey, although it's also made me realise that Geoffrey to a point actually maintains his mask internally most of the time. Seeing it appear to drop from Agnes' perspective is quite troubling, and we can't be sure how deliberate the whole performance was. Much to think about.
No seduction attempt, but I'm not sure Agnes prefers this version of Geoffrey. I think he starts feeling some pressure he puts on himself, and breaking his father's bones is a short vent of that pressure.
Something is going to happen, soon.
Hmm. I like the idea of an outwardly confident, personable, charismatic leader who is tormented inside by his own, potentially dark, maybe more like cynical, perspective on life. And with Geoffrey, the spectre of his father (or at least G’s PERSPECTIVE of his father’s spectre) looming overhead on every decision made - this shapes up to be a cracking book 2!
That incident with the ankle and the aftermath...a shocking turn as was Geoffrey’s reaction. A mask slipping or, as @Bullfilter expertly argues, just the expression of a young man under a lot of emotional duress. I’m inclined to believe the latter for the same as Agnes: Geoffrey i# genuinely loved. That wouldn’t be the case if he was some sort of dastard
But we shall see. Either way this new coolness between brother and sister does not auger well for Agnes. Not at all.