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prismaticmarcus

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Paradox Entertainment! Answer me this question - What do you think of the texts hidden below? Are they right? Is it right? Am I right? Can it be true? Why not? What is not right?

Fantasy Simulation:
of life and survival in a fantasy setting

Wizard

Title of the setting:
Broken Kingdoms


30/12/2021


Version 0.1

All information confidential


Date of delivery: 5 years
Genre of video game: Simulation in the style of Role-Playing and Adventure Games as well as Real Time Strategies
Genre of plot: Medieval fantasy/18th century fantasy
Setting: The world of the Broken Kingdoms, pangaean continent of the Broken Kingdoms
View: 3D bird's eye view
Game Framework: 3D open world, painted 3D models with fluid and vivid animations, 2D interface, an advancing time system, light and darkness system, extensive scripting
System requirements: Next generation of Personal Computers. Advanced motherboard, graphics card and CPU as well as copious amounts of RAM and space on the hard disk drive
Concept: Wizard is meant to be an open world simulation for ages 12+ that allows for the type of immersion and freedom never before experienced when playing a video game. It is set in a fantasy world with a strong foundation in reality. In life it is work that creates societies and allows them to thrive. The simulation is meant to allow to see whole societies in actual gameplay rather than through some form of storytelling or empty animations which is bound to create a vivid experience for the player as all characters appear real as they go about their artificial lives. Heroics and brigandry will have a great impact on the world as each character's actions have consequences and can, in the end, affect all characters within the video game.
The Player Character is essentially the same as each Non-Playable Character as all characters in the simulation use the same conversation system to talk to each other, have the same vast set of skills which represents all the characters might do, use the same type of a journal, equipment sheet and can perform the same array of actions. In the ongoing quest for supplies, food and drink as well as equipment are a driving force in the lives of the characters as they trade, live, sleep, fight, work and travel the world in order to achieve their goals and fulfill their everyday needs and desires.
Realms can rise and fall into ruins based on the lack of supplies and goods as increasing demand enforces growth while decreasing demand is synonymous with a smaller population and the simulation is meant to let the player see this happening through travelling amidst all the societies present. If a hamlet is attacked by brigands while no guards are present the town won't be supplied with grain and mercenaries may be dispatched to deal with the brigands. If they fail, the scenario might repeat and the town might become abandoned as people seek better lives. If they succeed, both the hamlet and the town that depends on the supplies provided by the people from the hamlet will be saved. Hunters might bring back wolf skins to allow their people to craft boots and the event will lead the savage humanoids known as monsters who dwell in the wilderness to roam into different lands in search of leather for armour, fangs and claws for jewellery and meat to sate their hunger as the forests might become bare of fruit and roots through lack of experience in gathering. Eventually the tribe might settle for good as they are knowledged enough in all manners of life to build their own stronghold.
Wizards rule this world either from towns where they reside or through wandering the world in search of interesting events, ruins to discover or artifacts and scrolls to study in their abodes, towers, on the road or at one inn or another. Magic is the ultimate power granted to mortals by the demideities and can be mastered and used only by a chosen few. There is no limit to this power as one needs merely to think. Performing movements of hands or fingers is a tradition and serves only a ceremonial purpose.
A storyline exists in the simulation and it is meant to take the player on an adventure which will allow to travel five realms covered by wilderness and dotted with hamlets, towns, farms, mines, caverns and strongholds while countless other characters go about their lives living out the same possibilities that are available to the player yet not the actual storyline.
Concept of the plot: Beneath the giant moon that shines upon the pangaean continent and oversea that form the world of the Broken Kingdoms, called so by it's people, much is about to change as someone with no particular ties, work nor past to his or her name is about to learn, by the grace of the demideities that rule the world under the supervision of the deity that has created all there is, the gift of magic. The pantheon of demideities counts twenty one who have all been created at the beginning of the world by the deity and they all represent parts of human life. A thief, a knight, and so on.
The player character is a human who shall be cast into events beyond the understanding of mere mortals as he or she becomes the ninth wizard of the five realms presented within the video game. The plot starts as the PC arrives in a village called Creel, northwest of the town of Virell, where he or she discovers being able to cast magic. The journey will take this hero or heroine to face evil itself and hopefully prevail against the force that opposes the deity and in the end, the life of all those who roam the Broken Kingdoms. For the eighth wizard has disappeared a long time ago and his evil mind has yearned for power for far too long to be considered human. As he hides within an underground fortress surrounded by minions of his will he plots to kill all demideities in order to replace them and reshape the world.
The story will be a long one as the tale of defeating the wicked wizard shall last for eight years in total through events and quests available to the player. As the simulation is infinite the deed is a mere possibility within the timeline of the plot as it can be achieved yet the PC can shy away from the quest at hand as the hero or heroine might prove to be a simple landowner and a farmer or the keeper of an orchard, guard of one of the towns or a brigand, blackguard or a thief. The life of a human lasts a hundred years. The wizards are the almost omnipotent beings that can control the world at thought and whim, casting magic based on the powers that define the world. From conjuring weapons, food and drink to casting thunderbolts and icicles hard as steel at their foes. Above them stand only the demideities anointed by the deity of the Broken Kingdoms and it's creator. It is the demideities who decide when a new wizard or wizardess might appear, the deity does not yet the demideities appear in the form of avatars walking the Broken Kingdoms in times dire for the humans. The eighth wizard will be replaced. Destiny awaits.
Content: Returning to the concept of the game, the refugees from the hamlet which was attacked offer quests to the mercenaries/town guard as they have the event in their journals. It is based on the database of events within the video game. A script activates after the battle for the hamlet is lost which adds the attack on the hamlet into their journals. The guard or mercenaries accept the quest adding it into their journals and so they wander the countryside looking for the culprits near the hamlet. Similarly a script would activate if the PC stole something from an NPC and the NPC would note and offer the quest to the guard.
Generic quests function as one of the corner stones of Wizard, as the journal handles quests, the quests appear based on connections to the database of quests which is of course hidden from the player.
The combat works based on a six sided dice system in which hitting a target and damage is represented by dice rolls. Armour acts as a barrier to damage and has it's own durability points as opposed to the percentage of health. The dice number is the first of the 1d6 acronym, in this example it means one six sided dice.
4d6 are rolled to pass action checks including hitting a target. Small one-handed weapons deal 1d6 minus 1 damage, the lowest score being 1, regular 1d6 damage and bastard weapons as well as bows 2d6, two-handed weapons deal 3d6 damage.
Leather armour has 40 points of durability and absorbs 1/4 points of damage loosing durability and in the case of wooden weapons it absorbs 3/4 of the damage from each strike, not loosing durability. Further on is the chainmail, with 90 points of durability which acts as half of a barrier, absorbing 1/2 damage of an attack against the wearer while wooden weapons simply do not affect the durability of the chainmail while causing halved damage. And at last is the plate armour with a 140 durability points which acts as a full barrier and absorbs all damage until destroyed, wooden weapons cannot affect this armour, it hinders dodging. Weapons have a similar range of durability, from leather and wood to plate and two-handed.
Flanking other characters guarantees a more fleshed out combat system where additional points, from 3 up to 6, are granted to the attack check and damage when standing beside another character in order to realise the concept of a battle in which characters surround themselves. This warrants attacking from behind a character as well, commonly known as backstabbing. The advantage becomes bigger the further a character is in degrees from the front of the character starting with 90. 180 to represent the back with 45 degrees each side to allow for backstabbing. Rushing is using the run ability as in the general experience in Wizard yet within combat to allow for standing directly beside another character. It can only be done at the end of a 2 metre circle around every character. Upon a succesful rush 3 points are added to the initial attack.
Intense swordplay in form of duels, dodging and counterattacking. A duel is a process that starts upon locking swords with another character because of using a skill in appropriate conditions. It involves different combat rules applying to the duels, strength becoming more important than agility as dodging becomes annuled and instead one has to rely on parrying, all characters can escape a duel through stepping backwards upon a succesful counterattack or attempting a roll of four dice in order to escape by stepping back succesfully through dodging which is a skill that hinders the attacks upon a character using dodging by up to 8 points. Counterattacking is performed upon an attack on a character who tries to defend himself in one of the following ways, dodging or parrying. Upon an attack on the character in question a parrying attempt is based on the skill of parrying and a 4d6 roll unless the character has a higher skill in dodging which works just the same as parrying.
Counterattacking is a derivative of parrying and dodging and so the skill requires one of the previous ones and can only be performed upon a succesful parrying or dodging roll. After an action check a character with the skill might be granted an attack that happens within the moment the dodge or parrying attempt was executed. The counterattack can be dodged or parried. When a character succesfully dodges/parries and performs a counterattack that was dodged/parried, that character begins a duel so that the counterattacks do not continue indefinitely.
Using the left mouse button is meant for walking while the right click for combat. The third mouse button brings up a list of possible interactions to apply to either mouse button while the game is paused.
The combat is based on slashing from sides or from overhead, thrusting or swings and two-handed strikes in cases of bastard weapons as well as single-handed swipes with two-handed weapons which are possible based on the third mouse button unless the player prefers generic attacks which through a random chance execute one of the possible attacks.
Casting magic involves an action check as well and it is based on SAEIS or Strength, Agility, Endurance and Intellect as well as Sense. The five are what governs the skills of the characters. The skills are based on the basics of movement, combat, dialogue and work. Scaling as well as hiding, silent movement, physical endurance, melee and ranged combat, diplomacy, lying, magic with it's six divisions and work skills to name a few.
Pain and damage to a character equals loss of the health percentage and the endurance percentage respectively. Pain lowers a characters endurance percentage as a character receives it resulting in possible loss of consciousness at 0 percent endurance. Wounds can be treated with herbalism knowledge and appropriate medicines while resting only alleviates pain which also represents bruises, long term lowering of the endurance percentage. Endurance regenerates slowly, health does not.
Magic can be defined through six groups which are telekinesis, weather powers such as thunderbolts, light, darkness, conjuration of water, power over electricity and fire. Further on prolonging and shortening of life, as in, healing and harm which are respectively green and red, conjuration of mundane objects as well as artifacts and thought exchange.
Magic is, as stated through the lore and setting, a matter of thought. It is constructed by a human in order to achieve a goal. The thoughts become harder to complete for various reasons as the magic grows stronger in it's nature and so, skills affect and allow for branches of the initial magic a wizard or a wizardess might perform. Casting magic drains endurance. The damage a harmful magic might inflict range from 1d6-1 to 20d6. Magic works through clicking the third mouse button and accessing the list of known magic and then right clicking to incant it which takes up to a few seconds of ingame time.
Countless adventures await based on random occurences or events happening based on the AI's travels and work. This includes animals, beasts and all sentient life represented within the simulation. These events exist beside the actual quests which form the plot as well as an abundance of side quests which can merge with AI created events within the storyline. For example, the antagonism of two characters leads to a side quest appearing while it may also not appear or disappear within the passage of events and advancing time.
Emerging victorious over a group of bandits allows a character to gain some SAEIS Knowledge Points. Knowledge is divided into the five groups based on how it was earned as well as general knowledge and is automatically distributed into obtaining new skills and improving those already learned through the percentage of a skill increasing. As aforementioned performing an action gathers experience in the respective skill, when hovering the mouse cursor over the particular skill while in the journal the player will see the particular boons the PC will enjoy when profficient enough in the skill. To further describe the knowledge system, each SAEIS skill is a percentage upon percentage to simulate a novice advancing towards mastery over a skill. In skills the player has to reach mastery of a skill in order to unlock further skills including skills that overlap between statistics and usable skills. 13 skills per each statistic totalling in 65 skills. Experience is earned and is automatically distributed evenly into all skills which are based on the action which earned the PC the experience. It is a percentage that rises over time as you use the appropriate skill.
The are 65 basic skills beside the usable skills. Usable skills apart from the ones aforementioned in the combat system are for example sprinting, appraising and alchemy as well as all the other ones that appear to be in place within the video game.
Strength: 1.One-handed Weaponry 2.Two-handed Weaponry 3.Archery 4.Shielding 5.Brute Force 6.Weight Lifting 7.Weight Carrying 8.Sprinting 9.Swimming 10.Mining 11.Blacksmithing 12.Iron Fists 13.Heroic Strength
Agility: 1.Quickness 2.Dodging 3.Sneaking 4.Cutpursing 5.Lockpicking 6.Keeping Balance 7.Climbing 8.Weaponless Melee 9.Skinning 10.Carpentry 11.Tailoring 12.Fishing 13.Heroic Agility
Endurance: 1.Health 2.Stamina 3.Pain Threshold/Fortitude 4.Temperature Threshold 5.Withholding Breath 6.Farming 7.Building 8.Trekking 9.Metabolism 10.Brute Force Continuity 11. Stopping Brute Force 12.Iron Skin 13.Heroic Endurance
Intellect: 1.Thought 2.Memory 3.Understanding 4.Reading 5.Identifying 6.Reasoning 7.Herbalism 8.Gathering 9.Languages 10.Knowledge 11.Willpower 12.Array of Incants 13.Heroic Intellect
Sense: 1.Charisma 2.Stress Management/Coping 3.Wit 4.Strength of Sanity 5.Affinity with Magic 6.Diplomacy 7.Lying 8.Romance 9.Haggling 10.Gambling 11.Coercion 12.Behaviour 13.Heroic Sense
These aforementioned are the foundations of the skill system and each skill contains many sub-percentages representing sub-skills which are passive or usable and so some of these skills stand as cunning backstab, rushing, swipe, marksmanship, shield bash and so on as it fits into what is written.
The light and darkness system is based on day and night as well as light sources smaller than the moon and so it calculates shadows. Shadows allow for more efficient sneaking and allow even invisibility while someone is hiding within. A person standing in the moonlight of the day will not notice a person sneaking/crouching in the shadow of a building's west side while the moon shines from the east. The shadow will essentially be too dark to pierce unless someone enters it and adapts to the darkness.
Ingame, the bird's eye view camera is set at 40 degrees above from the ground level and it can be rotated in a full circle around the PC who is always at the centre of the screen although there is no zooming in or out or raising and lowering the camera.
A generic conversation system which works based on the Eight Pointed Star: People, Lore, Directions and Work, Friendship, Romance, Trade as well as Grouping. All of the aforementioned continue into lists of topics that have descriptions and can lead towards further lists of topics. The descriptions of topics are basically dialogue lines that are randomed with each conversation. Chosen topics affect available future topics as does the relationship system. Group conversations exist for up to five people as characters learn new topics simultaneously.
Characters stop their loitering to talk to other characters in their free time and stop their tasks to talk when in need to do so. The Player Character encounters characters wanting to speak to him or her and stopping beside to indicate the possibility of a conversation through a marker.
Humans, beasts, animals and other sentient life forms such as the draivad, tall humanoid goats without horns and the graykin who look as if undergrown humans and whose skin is gray like ash exist in the world of the Broken Kingdoms and on the continent. Language is one of the skills based on Intellect, even the language of animals.
There is tobacco and drink, flirting, merriment and rejoycing, dancing amidst many other activities for all characters to enjoy. Thirst and hunger exist to further define the world. Health and Endurance as well as Stress to complete the five percentages that rule life within the setting.
Alcohol inebriates the character who uses it. Not only does the character who has partaken lose some social skills, they also receive a penalty to all dice rolls within the system. The status of inebriation starts after a character has drunk a bottle of hard drink or four of a softer variant. The penalties all vanish in time or through sleeping. One cannot decide how long one sleeps as when sober, it is always the maximum value of a one night sleep while characters that are not drunk can nap as well through deciding to sleep less than the maximum resting period of 12 hours. There are no benefits to being drunk even though it is a popular activity. Tobacco drains endurance and offers nothing else except for being an activity that characters enjoy partaking in same as alcohol. As for hemp, it raises the maximum endurance while draining the current amount the character has besides being an activity as well. It is a peculiar substance that is not used by most yet it allows for a deep waking rest and so has it's place within the world of the Broken Kingdoms. Hemp and other herbs as well as alcohol heighten the pain threshold or when pain activates and remove pain. Open wounds cause pain over time.
Equipment is sorted into singular clothing and armour, cloaks and coats and helmets in items worn as well as supplies, weapons as well as items of multifold or single use in general equipment. Clothing is one object, all other objects are singular in nature excluding arm and leg armour which function as single objects as well. All characters share no nudity and wear basic clothing unless they acquire different clothing to replace it.There are two necklace slots and four ring slots. Index and ring fingers of both hands. Necklaces like prayer beads, feather necklaces, classic jewelry and dreamcatchers. Creating artifacts is difficult yet you can out of items that you use and through magic. The items become artifacts over time as you achieve heroic deeds wearing them. Crafting is possible at workshops and campfires.
Exchange of goods and construction works are perhaps the most vital part of the life of a society. The PC can buy or build warehouses, obtain goods and even sell them. This means shops can be built or otherwise acquired and taken care of by the PC. By the work option within the EPS one can also hire people to take care of buildings. This warrants revenue out of safe shops and warehouses. Based on the events within the video game a thief might enter a shop owned by the PC where the player is the actual shopkeeper and he is away adventuring. In the case of the hired shopkeeper the events might work similar as the shopkeeper falls in love or gets drunk taking up all of his time for the day. This means he does not show up at the shop and the player might not ever find out about the thief who has taken goods from the PC if the player does not check the shop's wares.
However what would make a loyal and well paid worker abandon his duties? Self defence and defence of the closest ones. Above that his or her personal whims as they exist as of the AI continuing to shape a character's life based on the actions recorded in the journal at the start of the game. In example after a few weeks of gameplay the chivalric guard might become a brigand if luck is really not on his side as he lost his entire family and no longer desires to earn enough money to house them but instead enough to house himself. The character desires no social contact for some time and so does not fit his or her work as well.
Sense is a variation on sanity and wit in speech merged into one. It is the valid reasoning of social behaviour and norms, even the world past intellect which constitutes knowledge and natural predispositions. Sanity takes it's toll through gaining stress in combat, work and life. In diplomacy and deceit all is possible through exactly wit and cunning which are sense.
Apart from that there is the natural predisposition to selfish decisions and it's opposite, innate kindness and compassion. Adding to this the ordinary day conversation we have all the dialogue required for the completion of the EPS. Through multiplying the eight points in the EPS by the amount of dialogue that might be expected in an adventure game which is a basis for any role-playing game there is the conclusion that at least eight branches to each branch eight times are required for the conversation system to be varied in it's nature. These will be one or two sentence long for a quick exchange of words, sense skills will of course allow for different options instead of the generic similarly to intellect skills or the situation and stress.
Thirteen occupations define medieval life. As it is farming, herbalism, fishing, tailoring, mining and blacksmithing, hunting, leatherworking, sword-for-hire as well as thievery, carpentry, construction, shopkeeping/innkeeping and ownership of land. Land is a plot of land slot or a building. All of these can occupy both the player and the NPCs. The thirteen occupations collide with the crafting system which allows even for the painting of walls. To craft means to combine items.
The journal or memory is shared as a system by all characters including the Player Character. Locations as well as people, work, notes and so on are scribed automatically within to allow the AI to perform it's best. It also includes the skill book. The journal also includes inventories connected to owned land plots. The journal updates the inventories when accessing them while on the actual land plot.
The simulation offers fluid animations and an array of movement within the video game, walking through crowds, jumping and running, skimming between characters as they collide.
Ingame time of the twenty four hour day of the setting would equal from two up to four real life hours during which the player can do literally anything. Unique places as well as generic buildings to visit. For example the ruins of the Morgrayn castle and the buildings within the Morgrayn hamlet. The world is inhabited by many people and so holidays such as medieval festivities centred around religion or lack of work exist. The nine month year represents autumn and spring. Each month has four nine day weeks. Two seasons within the video game to represent harvest time and the death of nature before rebirth.
There are five large realms to wander, work and adventure within. Load screens between the realms and while entering cities as well as the underground. Only the realm in which the player is in is the one in which all characters move and act while the other ones are simply calculated as if it was happening. Similarly all places behind loading screens. If a realm becomes depopulated characters from other realms as well as from the realms not depicted might travel within.
Seemless loading between rectangles that would average in ten game screens, the one the player is in and all the surrounding ones to allow for travel between rectangles. This means that the engine loads the rectangles as the player is moving around allowing for an illusion of no loading of the game screen rectangles.
In the video game there are two levels to the bird's eye view of the world which are the ground level and the rooftops. Caverns and mines as well as buildings have two levels as well when designed to be as such, the basement level and deeper underground. There is no loading between the ground level and the second level. It is true that ladders, ropes, climbable walls or stairs serve as the way up to the rooftop level or the basement level. A tenement building can serve as an example that within it there are stairs to reach the 'rooftop' level which is the first story or perhaps another based on the design of the building, skipping the levels inbetween, while outside you can reach the rooftop level and either enter through a window or a door if the rooftop level is actually not the rooftop or a flat rooftop. Barely sloping rooftops are the common rooftop in Wizard. If the second level is actually a higher level as in the example of a tower, it means the rooftop level around the tower would be higher than the rooftop level around the buildings nearby the tower.
Many possible endings to the game as well as the side quests. A branching storyline that is affected by the random events and the player character's actions within the video game's timeline as well as by time alone.
The adventure game within Wizard can be narrowed down to the dialogue system which functions as an innovative way of presenting in-game conversations to the player and the point and click adventure that exists within the simulation. Looking, applying force, opening, closing, climbing, all done by right clicking outside of combat. To discern between looking at a door and applying force to it, the player clicks the third mouse button which offers a list of possible interactions as well as the journal. Personal inventory is presented within the journal.
The humanity meter serves as a guide to understand how evil or good the player character is. NPCs have the humanity meter as well. It does not affect anything, it serves the purpose of monitoring your own character and the deeds and how they affect the world. Meanwhile, deeds that are evil are remembered while the humanity meter is more of a guide for the player to understand whether his or her actions are good or evil.
What is the setting: The Broken Kingdoms are a world large enough to have a twenty four hour day within a nine day week and twelve months long year. Only the moon exists giving more light during the day than during the night. This means everything in the world is quite pale, yet the days are still colourful while the nights are dark.
The pangaean continent sprawls the entirety of the world, or planet, of the Broken Kingdoms leaving the Oversea on all of the borders of the classical mercator map.
It is a place inhabited by humans, animals, beasts and monsters such as the draivad and graykin. Monsters in the eyes of the humans as in their humanoid forms they resemble both themselves and beasts. These monsters are still sentient beings and can create societies just as much as the humans can.
All humans are slightly vampiric because of their ancestry as in the past humanity of the world did not know how to farm or forage succesfully and so hunted, wandering the continent. In a few generations humanity adapted to forage as well and eventually became settled and started to cultivate the land. Eating raw meat and drinking blood affected the race forever. This means that they enjoy long lives and are stronger and more agile than their real life counterparts.
Gothic architecture is the main principle of constructions within Wizard. Even the wooden buildings in the villages are constructed with this architectural style in mind. This shines upon all other craft in the world as even swords have a gothic quality to the blade, hilt and guard.
Analysis: Mundane and exciting experiences in an advancing world. Simulation of societies, economy and characters. A plot that drives the player towards achieving the ultimate goal of performing magic at whim in order to defeat the wicked wizard.
An RTS/Tycoon in which one governs and attempts to work within an economy while controlling only one character. Endless gameplay and a massive scope. An RPG with love, revenge, overcoming obstacles, helping others as well as selfishness and everything else that a simulation of real life in a medieval setting warrants.
Choices to make and consequences of actions. A brand new combat system based on dice rolling as well as skills. Usable skills based on four six sided dice.
One immense sandbox map to cover the area of approximately a hundred and three square kilometres or fourty square miles, a compressed part of the pangaea of the Broken Kingdoms, approximately five diverse realms within the temperate region of the world.
Around a hundred years of ingame time allowed within the video game. Advancing time as well as events within the first eight years.

Branches to the storylines within the main quest as of time as well as events and side quests generated by the AI's movements and actions within the world. A memory system in which the computer processes journals ran simultaneously. Dialogues based on the eight pointed star and lists of possible topics with descriptions.

Possibility of multiplayer in the future of the simulation's development as well as neccessity for a demonstration version of the game to see how adding more characters and more locations affects the player's computer in order to discover how big the scope of the game can be on the next generation of PC gaming.​
if it's confidential why are you posting it in a public forum?
 
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Also check out this video:

Essentially they need a working game, not just an idea for one!
 
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And so my game pitch is in its earliest alpha phase and not complete with a demo. Why would I pitch it there and not on the forum?
have you watched the vid? i have a feeling you haven't.
 
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@AndrewT would you please be kind, to answer my question asked 3 weeks ago? Thank you in advance.
 

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@AndrewT would you please be kind, to answer my question asked 3 weeks ago? Thank you in advance.
You mean this post?

Because I see no question in there.
 

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You mean this post?

Because I see no question in there.
I mean the one 5 posts above the one you've linked.

 

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I doubt he in a position to answer.
Maybe. But he may also ask someone who can answer. I've waited 3 weeks already, so I can wait a little longer if it would result in recieving an answer. We're not in a hurry.
 

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Maybe. But he may also ask someone who can answer. I've waited 3 weeks already, so I can wait a little longer if it would result in recieving an answer. We're not in a hurry.
I have nothing whatsoever to do with EvW - not sure why you'd expect I do?

But in an unofficial capacity I'm as sure as I can be it is dead forever.
 

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I have nothing whatsoever to do with EvW - not sure why you'd expect I do?

But in an unofficial capacity I'm as sure as I can be it is dead forever.
I did not expect you had anything to do with EvW, but you are the only one mod, who has appeared here in quite a while, and this thread is "ask paradox (...)", so that's why I've asked you for answer. Thanks for it btw.

Are there maybe """any""" circumstances, under which it would be possible to revive paradox interests in finishing EvW? Some sort of mass petition maybe? (I am aware of how illusory this question probably is)
 

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Moderators are mostly volunteers who are not Paradox employees. In my case I'm an external contractor for them but mostly as technical support, my mod duties are separate. So "ask Paradox" does not in general include moderators - although they may well put their oar here in where appropriate.


I guess when I said "dead" I should have covered "undead" possibilities too ... perhaps if you could get over a million signatures, each promising faithfully to buy the game pre-order, they might invest in it again?
 
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What does it matter? You've suggested reading the game pitch page and it clearly states I need to be a company with its own homepage. What am I supposed to put in there? My Amazon self-publishing author profile? :D
this wasn't spelled out in the vid, but my takeaway from that was that serious people don't go to gaming forums to complain about how potential partners choose to do business. and they're a business who want to be dealing with serious people.
 
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I was wondering - is the ClauseWitz engine incrementally developed for each title. Like I imagine Victoria 3 uses the latest and far more advanced and updated features, fixes and changes but maybe Europa IV maybe is using a version back from 2014 or whenever it was released?

So for example say Stellaris 2 was released in 2023, would it by default have a lot of things the current game doesn’t have in terms of capability and performance because of a much newer engine to base the game on? Whilst every other existing title just stays on a static version?
 

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this wasn't spelled out in the vid, but my takeaway from that was that serious people don't go to gaming forums to complain about how potential partners choose to do business. and they're a business who want to be dealing with serious people.
I am surprised you did not get my point. The rules state in a plain and legally coherent way that you relinquish right to all content posted on the forum. Based on the rules of the forum I gave the game to them free of charge. Well, maybe not the game. Yet the design document definitely.
 
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I was wondering - is the ClauseWitz engine incrementally developed for each title. Like I imagine Victoria 3 uses the latest and far more advanced and updated features, fixes and changes but maybe Europa IV maybe is using a version back from 2014 or whenever it was released?

So for example say Stellaris 2 was released in 2023, would it by default have a lot of things the current game doesn’t have in terms of capability and performance because of a much newer engine to base the game on? Whilst every other existing title just stays on a static version?
I:R and CK3 have a much later version of Clausewitz, AND a new framework called Jomini (not 100% sure of the spelling of that).I'm sure Vic3, and if there were to be a Stellaris 2, they would use those two structures too.

What the actual differences in the engine versions are I have no idea though, sorry.
 

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  • Heir to the Throne
  • Europa Universalis 4: Emperor
  • Crusader Kings II: Holy Fury
  • Rome: Vae Victis
  • Divine Wind
  • Europa Universalis III
  • Europa Universalis III: Chronicles
  • Crusader Kings II: Horse Lords
I was wondering - is the ClauseWitz engine incrementally developed for each title. Like I imagine Victoria 3 uses the latest and far more advanced and updated features, fixes and changes but maybe Europa IV maybe is using a version back from 2014 or whenever it was released?

So for example say Stellaris 2 was released in 2023, would it by default have a lot of things the current game doesn’t have in terms of capability and performance because of a much newer engine to base the game on? Whilst every other existing title just stays on a static version?
These are old, but might help:



And definitely:
 
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