STELLARIS: THE JEREMIAD
BOOK II: REFUGE
BOOK II: REFUGE
Too long the Hurrians, cramped and cold, have faced the challenges of the depths of the
Dark seas of space. This moment was a joyous one, a beautiful one – the women sang and
The children danced, voices in harmony, arms locked in unity – for never a day have they
Experienced on land so serene and plentiful since before the Irassian conquest.
Pashet, too, so long removed from the minds of the Hurrian people, is recalled and exalted.
At once an important and central deity, moved to the sides of consciousness as community
Expanded and grew in strength. The hunt no longer a necessity – Pashet, her temple, left
To the neglect of mind. But not to Tanat, or the other priests and priestesses. Reaching
Into her purse Tanat places her wooden figurine of the goddess of the hunt, giving it central
Place upon the altar. Ishat may be queen of heaven, but Pashet is queen of this day as Pallas
Orders a team of men, dragging a large beast, brown with fur, horns on both side of face.
Upon the altar the already deceased beast is placed. The men walk back, giving place
To Tanat who walks forward, offering a blessing and prayer, lights the pyre and the feast
Of thanksgiving begins in earnest. The Hurrians dance and sing around the altar, drinking
And Eating in the joyous ecstasy of a banquet of salvation – plumes of smoke rise into the air,
Chants echo down the beaten pathways. Even the birds above them and in the woods
Around them join in, giving soothing voice to the libations abounding in the Hurrian camp.
Little Anat, clutching her mother’s hand, dances round and round with her – a smile on her
Face, one not seen in years. Other children dance and sing with their parents, even the
Soldiers join in on the festivities of the hour. Here at the plain and embankments of clear
Wind, an open and calm haven – a refuge after storm – the rumbling of music heaving
Into the skies, whirlwind of black and grey smoke from red hot coals, heaving the smoke
Up to the stars as if to wake the gods in good grace and thanksgiving.
***
There Ishat is stirred by the mumbled music of her name and Ishat’s. What, she wonders
Is this cause of mumbling – the blurring of names? Am I not the patron of the Hurrian
People? Then what is the cause for the pronouncement of Pashet’s name with mine? She
Peers down to Sol, piercing clouds and smoke with her sight, sees the celebrations abounding
And even manages a grin. Tesup, however, is not so moved – stirred not by relief of landing,
He slumbers on. Ina, however, makes her passage to Sol with her brother An. An looks on
From the woods as the thanksgiving banquet rolls into the hours of night, sun setting, he enters
The camp and works his seductive charm on men, Ina, likewise, toward the women.
Pallas, the captain of the guard, approaches weeping Japra, youngest daughter and princess
Of the House of Wek. Pallas sooths her voice, An playing a harmonious and pleasing harp
As he speaks to her. Ina, likewise, comes over the young princess, lifting her up on high, she
Pours out her concerns to Pallas – memories of her father, mother, brothers and sisters, all
Left behind in Hurria, on Dultauri’s now entombed world. Pallas comforts her, takes her in
Arm, resting her head upon his chest, stroking her fine silky hair, caressing her chest, as
He sings a lullaby of the memory of war and honor – her eyes, wide, look into his, that look
That signals comfort and trust, the two lay to rest for the night; along with the rest of the
Hurrian camp, many enthralled and comforted by each other. Broken families united in
New spirit of life, disintegrated individuals without their loved ones, united in new arms.
Ina pulls away, leaving An to work his songs of sleep as the moon shines down on the camp.
She walks away, crossing over the sea, and toward another camp: Ramoth, that city of Sol,
Great city of marble and stone, arches and gold, founded by the fleeing Barack Ben Ur, chased
Out from his own home from his brother’s scheming: murder of bride to be and their father,
The king. In his palace halls he weeps, still saddened by the ordeal. Love has been taken from
Him, the love of his father, and the love of his bride. He sits on his throne, head in his hands,
That look of dejection and woe, he cannot bear his lot in life as it stands. Alone, no amount
Of the gold and power his city and people have amassed can assuage his wounded heart.
At night he dreams of Devorah, reliving the moment of the horror of finding her blood
Soaked body in white and gold dress. Upon the hours of the morning day he recalls
The moments out on the hunt with his father, gone too from his life; his languished actions
Tell all. Ina cannot bear to see such a handsome prince in such a state. She pulls up to his
Ears and whispers a song of love and a new image of beauty and seductiveness, voluptuousness
And the magnet of all desires. Passion is such a wonderful gift, but it should run free in joy,
Not shackled to the corpse of despair or anger. She lulls him into a sleep, no dreams of
Devorah tonight – he sleeps the way before his flight from home, to found new city on these
Shores for this very moment. His guards even notice the difference, that he is neither twisting
Nor twirling, sweating, or mumbling; he is at peace, a serenity not felt since meeting Devorah.
Ina, for her part, cracks a cunning smile on her face. She departs from him and ventures off
Into the human city, preying and prowling for new victims to entice with carnal skin and voice.
The moon of love is out in force, that unstoppable gale reserved for the rites of spring and
New life, unleashed early on Tesup’s order – but he should have known better than to trust
Unruly and powerful passions. Ina plays to the heart and ears of all, none can resist Her
Most unrelenting allure: fragrance, dress, face, body, and voice – it was decreed by heaven’s
Highest Fate, unfair even, the dream of any man and woman, the perfect draw that no mortal
Could possibly resist. And so it was that Tesup had unleashed Ina onto humanity, the new
Power of desire implanted into them on this account. Not, however, that free spirit – but one of
Cunning desire, pure and unadulterated passion, the craze of madness that accompanies love.
“Ah, sweet mother,” she decrees as she pours through the streets of Ramoth, in torn black dress
Leaving nothing to imagination, “your allure is more than no man can bear. Draw them in,
Each and every one. I will force Tanat here, into this city to be enthralled at its very sight,
Is there not a greater city than this? The muses and nymphs will sing about this night, and the
Nights to come. Telling new legends and testaments of our wonder together. We will become
Immortalized in song, immortalize Barack and Tanat, tales of bliss and love – more than mere
Belonging, no, something greater and higher even than that. Do the humans and Hurrians
Even have a word to describe the rapturous feeling of your eclipse? Songs and hymns to
Tanat and Barack they shall pen and sing, of love unfurled, conquering all things – nay,
Mortal flesh and heart cannot stop the power of love, of desire extreme, unbounded
And left to roam free. A testament to me, too, shall come forth from this,” Ina says with a laugh.
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