Manifesto of the Artistic Revolution
First of all I want to announce that I denounce True German ideology. I now agree that their aims were wrong even though I still strongly believe that their banning was wrong too. Further I want to make it clear that I simply am the Catalyst for the Artistic Revolution I shall proclaim below. After it has been proclaimed it will be completely independent of my views and independent of all other political views.
The Manifesto of the Artistic Revolution:
Now more than fifty years have passed since the establishment of the VSVR. This is an interesting time span as it is one of those round time spans where one begins to reflect on what has happened in order to rejoice over good moments and learn from mistakes. The Republic certainly had many great moments which are worth rejoicing for but every comrade knows this. What not every comrade remembers (or doesn’t want to remember), however, is the darker moments of the Republic. There has been much bloodshed throughout these 50 years and many had to give their life for the Republic to be what it now is. Yet I disagree that this bloodshed was inevitable. In several occasions it would have needed just a little bit more faith in the power of the word and many fellow proletarians would now still be alive. This is no one’s fault, words were simply unanimously not respected. The question is: why was (and still is) there no faith in words? The reason is as simple as it is obvious. While the Republic has achieved so many things it has failed to establish one of the most important institutions of mankind: art.
What is art?
Art is the identity of the Proletariat. The Proletariat is by definition the working class. The working class does not define itself through wealth, power or belief but it defines itself, as the name suggests, through its work. The product of the proletariat therefore is the definition of the proletariat. The problem, however, is that the working class is denied this self-definition by capitalist society. Capitalist society makes the working men a servant and the capitalist a master and forces the working men to produce for his master. The working class is thereby led to believe that it needs a master to exist and has to repay its master for the right to exist by working. The working class loses conscience of its existence and the master can exploit his workers as he wishes. The only way the proletariat can free itself from this trap is by regaining its consciousness. While invasion, as it is being done, is one way of achieving this, it is certainly not the best. So what is the best way? The answer is again simple: the working class has to regain consciousness through its work. They do this by slowly sophisticating their work and putting more and more of themselves into it. As they learn to make better produce they will notice that it also becomes more and more satisfying to produce. At one point they will then realise that their work is not only useful but also beautiful. At this point it then becomes a mirror for the self of the working class and through the mirror-image the proletariat will regain conscience. Now conscious, they will realize that it is not them who are dependent on their master but is their master who is dependent on them. The master will now either back down or face an insurrection he cannot suppress. In the end the Proletariat is free.
What does this mean?
This means that the best way of furthering the revolution is to make work beautiful once again. All around the world the Proletariat works day for day in factories constantly producing the same products again and again. It should be surprise for no one that this kind of work beats the working-class into submission. We therefore have to make art accessible to the working class so that they can use their hands and their minds to create the things they want to create and not the things which yield profit. So, instead of researching ever more deadly guns, let our thinkers explore the mysteries of philosophy. Instead of sending soldiers to die let us send artists to every corner of the world. Let us flood the borders with poems, songs, pictures and novels. Let us decorate our streets with artworks. Let us make the VSVR into the most graceful place on earth so that even the religious think they have arrived in paradise!
It is not enough to break your chains, workers of the world.
You have to make them into a sculpture so beautiful that it even makes the Tsar cry with awe!
After already having submitted the manifesto of the artistic revolution, the time has come to proclaim the Artistic Revolution and the 9 Theses of the Artistic Revolution:
1. Art is not a tool of the government or factions. It is the identity of the working class and can therefore neither be censored nor banned nor used as propaganda exclusively for one mode of thinking
2. Art is not a danger to a righteous state. The only reason a government might fear art is when it has a dark secret to hide. If a government has to suppress art of the proletariat in order to survive it has lost its right to exist long ago.
3. Art moves beyond the bounds of politics, economics and even national security. It is accountable only to the Proletariat as a whole but not to its representatives
4. Art does not support violence. This means art is not entitled to be used as weapon against the government, however, it is entitled to criticise crimes regardless of who commits them
5. Art is not a justification for violence. This means a piece of art cannot be used to justify a crime. It can however support an armed struggle if the Proletariat is in full support of this struggle
6 .Art is not a mean but an end
7. Art is everything the Proletariat wants it to be
8. The artistic revolution cannot be declared over by the Party once proclaimed. It only ends once all of the Proletariat declares it to be over
9. The core of research must be concentrated upon art and philosophy
Now that all is said:
I hereby proclaim the Artistic Revolution
Victory through Beauty!
- Comrade LeCare